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Phụ đề của (—) (2013)

tiếng Anh
Tháng sáu 12 2015 10:56:54
đã đăng theo Eus, Alevtina₂
Korrifei rossiyskoy animatsii. Film 6. Valentina i Zinaida Brumberg.2013.en.1..1434106614.srt ⭳
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1 00:00:00,000 --> 00:00:04,500 film made for Russian tv with support of the ministry of culture of the Russian federation 2 00:00:05,000 --> 00:00:08,725 Studio MIR presents: 3 00:00:22,200 --> 00:00:25,800 Masters of russian animation 4 00:00:25,870 --> 00:00:28,825 Valentina and Zinaida Brumberg A portrait against the background of their time 5 00:00:54,050 --> 00:00:55,880 Valentina Brumberg 6 00:00:56,050 --> 00:01:01,675 - I'm wildly jealous that I'm not there. Behind that door they had laughter, uproar [Zinaida Brumberg] 7 00:01:01,800 --> 00:01:08,650 Oh my God, how nice, how cheerful, What a - completely different life. It makes one laugh [Eduard Nazarov] 8 00:01:08,775 --> 00:01:16,450 Seeing the tape I had the same feeling, wildly jealous of everyone present there ... [Fydor Khitruk] 9 00:01:16,550 --> 00:01:21,875 - That's it ... Who could enter there without any causes or occasions 10 00:01:21,870 --> 00:01:26,025 and sit there sipping tea and bawl with Zina. 11 00:01:26,125 --> 00:01:30,900 The Brumberg sisters' room was a center of warmth and wit. 12 00:01:30,975 --> 00:01:34,725 - I love their movies. Little Red Riding Hood, 13 00:01:34,900 --> 00:01:38,275 Puss in Boots - in fact,the first musicals ... 14 00:01:38,750 --> 00:01:44,575 I still remember all these tunes. I even have here, I could show you, 15 00:01:44,650 --> 00:01:51,525 cassettes of them. I can't sing. But, Puss in Boots ...: 16 00:01:51,650 --> 00:01:57,150 sings -go, my daughter, for a journey on the river to the river bank ... no, first was. Princess: 17 00:01:57,350 --> 00:02:02,700 - On the maps I wonder something I need ..., then ... 18 00:02:02,900 --> 00:02:08,500 -Learn now wish ... who is my dear friend. 19 00:02:09,106 --> 00:02:11,720 [Puss in boots - 1938] 20 00:02:44,125 --> 00:02:48,775 They're very well incorporated in the environment, in the atmosphere, 21 00:02:49,200 --> 00:02:54,450 in the action that was typical for the 30's. 22 00:02:54,600 --> 00:02:59,425 From the end of the twenties, to the thirties. They were part of this, 23 00:02:59,500 --> 00:03:02,475 I would even say, polyphonic action. 24 00:03:02,470 --> 00:03:08,550 Valentina and Zinaida Brumberg were born in Moscow, to an educated Jewish family. 25 00:03:08,900 --> 00:03:13,925 Their dad, Simon, was a physician and served in the First World War. 26 00:03:14,050 --> 00:03:20,500 Mom, Cecilia, was a music teacher. The family had four children. 27 00:03:20,675 --> 00:03:27,375 In 1898 - Valentine and Alexander, In 1900- Zinaida 28 00:03:27,450 --> 00:03:31,100 and in 1903, Daniel was born. 29 00:03:31,875 --> 00:03:36,975 At the age of 4 years, all the children could read well. 30 00:03:37,075 --> 00:03:41,525 Their mother taught them drawing, dancing, German, music 31 00:03:41,700 --> 00:03:50,975 The girls did brilliantly in school. And in 1916, finished their Gymnasium diploma as first of the class. 32 00:03:54,275 --> 00:04:03,000 The revolution had begun. Valentina and Zinaida in 1918 went to VHUTEMAS 33 00:04:03,000 --> 00:04:06,600 - The higher art technical workshops. 34 00:04:15,225 --> 00:04:20,825 Zinaida S. wrote about this time. "VHUTEMAS, where we followed 35 00:04:20,820 --> 00:04:26,250 workshops led by Mashkov, Konchalovsky, Lentulov, Falk. 36 00:04:26,975 --> 00:04:35,525 Our teachers were far from academic norms. The Sculpture Department had lessons Greek-Roman Wrestling. 37 00:04:35,750 --> 00:04:42,850 Mashkov began his classes with gymnastics.We did not have the right to use the word "can't." 38 00:04:42,850 --> 00:04:47,600 On the wall hung a poster: "Being sick is strictly prohibited." 39 00:04:50,775 --> 00:04:56,200 The play of the young Eisenstein "Even a Wise Man Stumbles" 40 00:04:56,275 --> 00:05:02,025 surprised the young sisters for the free interpretation of the classics. They write: 41 00:05:02,125 --> 00:05:09,325 "It was an exciting performance, but seeing in this eccentric, the future author of the "Battleship Potemkin" 42 00:05:09,375 --> 00:05:15,850 we then could not." The authority of those years was Vsevolod Meyerhold. 43 00:05:15,900 --> 00:05:23,000 This is the layout of the Meyerhold Theater, which was never built. In its place is now the Tchaikovsky hall. 44 00:05:23,075 --> 00:05:28,700 Students did not miss a single premiere. Hutemasovtsev's idol was Mayakovsky. 45 00:05:28,800 --> 00:05:34,100 He even came to Myasnitskaya to see paintings of the Brumberg sisters. 46 00:05:34,275 --> 00:05:41,700 There came a new kind of art-animated films. Zinaida wrote:"Young artists, that is, us, 47 00:05:41,775 --> 00:05:47,725 were invited to come to the SCC -ARMENIAN STATE film college to do this amazing thing. 48 00:05:47,850 --> 00:05:52,200 We went to the Leningrad road, to the premises of the former restaurant Yar. 49 00:05:52,275 --> 00:05:58,525 The founders of the experimental animation workshop,Olga and Nikolai Khodataeva, Yuri Merkulov 50 00:05:58,600 --> 00:06:03,075 and Zenon Komissarenko initiated a feature film: "China in flames." 51 00:06:03,200 --> 00:06:06,675 This film became a kind of school for us. 52 00:06:06,775 --> 00:06:12,975 Movies counted as coursework. We met with the technology of animation at the time: [China in flames 1925] 53 00:06:13,075 --> 00:06:20,000 Out of construction paper, figures were cut; their limbs fastened with wires. 54 00:06:20,075 --> 00:06:25,725 All were painted in black & white. There wasn't a specific cameraman, 55 00:06:25,775 --> 00:06:31,050 everyone took his turn. We all filmed on a hunch. 56 00:06:31,150 --> 00:06:36,800 Later we made with Olga and Nikolai Khodataeva the film "Samoyed boy." 57 00:06:36,875 --> 00:06:40,925 The plot of the film is simple. It's the history of a Nenets-boy. 58 00:06:41,575 --> 00:06:50,050 Northern episodes were styled after Nenets woodcarving, and in the Leningrad graphic style of Dobuzhinskiy. 59 00:07:16,050 --> 00:07:21,750 - They were, -how to say it- 60 00:07:22,000 --> 00:07:31,350 like two poles of plus and minus. Opposites. Precisely because of their character differences 61 00:07:31,500 --> 00:07:38,600 they had that spark. When they argued, everything shook. They would squeal arguing with each other. 62 00:07:38,750 --> 00:07:48,575 But when Ivan Ivanov-Vano would come, it was already a polyphonic quarrel near to hystery. 63 00:07:48,725 --> 00:07:56,850 Why, then all their disputes would end with: "Vanya, do not get angry with us please ..." 64 00:07:59,450 --> 00:08:06,925 Together with Ivanov-Vano we did the Tale of Tsar Durandae. The film was graphic, black and white, 65 00:08:07,025 --> 00:08:10,150 based on the figures of Pokrovsky. 66 00:08:27,025 --> 00:08:32,525 The war began, Soyuzmultfilm studio was evacuated to Samarkand. 67 00:08:32,650 --> 00:08:38,900 This cartoon was drawn on the train, at the studio's evacuation. 68 00:08:40,100 --> 00:08:45,925 Here you see the sisters and Lev Atamanov and inside the carriage Ivanov-Vano. 69 00:08:46,700 --> 00:08:52,675 This sister with the actor Gotovtsev, who played the king in The Tale of Tsar Saltan. 70 00:08:58,100 --> 00:09:05,700 The storyboard was scribbled on a map that all studied to get what they should focus on. 71 00:09:17,900 --> 00:09:24,000 In Samarkand,wrote Zinaida Brumberg, at first we were not up to the tales. 72 00:09:24,075 --> 00:09:31,725 But it became clear that we should stick to this genre. The method used on "The tale of Tsar Saltan" was Eclair. 73 00:09:31,950 --> 00:09:39,675 In essence it means that actors play out scenes in front of a camera, often in costume and full makeup. 74 00:09:47,975 --> 00:09:53,700 -On an island lies a city rising high above the sea 75 00:09:53,750 --> 00:09:59,475 A fir grows in front of the palace, it has a crystal squirrel house. 76 00:09:59,575 --> 00:10:05,200 A squirrel lives there ever so playful, 77 00:10:05,325 --> 00:10:10,525 Does it sing songs, and nibbles nuts. 78 00:10:10,575 --> 00:10:19,900 No ordinary nuts, mind you, the shells are gold, the hearts pure emerald ... 79 00:10:20,350 --> 00:10:26,975 - Here is a art of animation making that was created,at that time by the ensemble of these people. 80 00:10:28,400 --> 00:10:37,725 To leave anyone out was impossible, they all contributed,they each created a part ... It was a very integrated art. 81 00:10:40,070 --> 00:10:45,053 Though they worked together Ivan Petrovich was 82 00:10:45,160 --> 00:10:48,480 one kind of artist but Lev Atamanov a completely different one, 83 00:10:48,700 --> 00:10:54,725 The Brumberg sisters, it is peculiar, were very different as artists too. 84 00:10:54,875 --> 00:10:59,450 But their films were a unity because they were all over the working floor. 85 00:10:59,525 --> 00:11:08,800 Zinaida wrote:"It is now clear that the eclair material, can only be the starting point for the imagination of the artist. 86 00:11:08,875 --> 00:11:13,900 But at first, many took the path of just redraw the acted performance. 87 00:11:14,050 --> 00:11:20,375 For the authenticity of the dances in "The Lost Letter" Igor Moiseyev was consulted. 88 00:11:20,550 --> 00:11:26,500 He said:"Let your imagination float, cartoon characters have possibilities unthinkable for the human movement apparatus. 89 00:11:30,225 --> 00:11:35,675 Eclair only reigned briefly. It is now seen as disastrous naturalism, 90 00:11:35,950 --> 00:11:43,625 but it still put a stamp on the film "The Tale of a Soldier" where the leading role was played by Michael Yanshin. 91 00:11:43,620 --> 00:11:47,225 May I beg for a little food? 92 00:11:52,625 --> 00:12:00,400 I'll break it in half and give him the left It doesn't break...I'll give him all! 93 00:12:00,500 --> 00:12:03,675 And then, somehow, I'll manage ... 94 00:12:08,775 --> 00:12:15,200 They hadn't forgotten their past at VHUTEMAS. Generally spoken that's an interesting subject: 95 00:12:15,350 --> 00:12:23,625 someone who follows their development, should be sure to pay attention to that they came 96 00:12:24,000 --> 00:12:32,325 from a very formalistic view on the medium that reigned at VHUTEMAS 97 00:12:33,500 --> 00:12:39,550 "Fyodor Zaitsev" - is a landmark film. It broke the dominance of social realism & eclair. 98 00:12:39,600 --> 00:12:47,325 And it was good in every aspect. A magnificent scenario by Nikolai Erdman and Mikhail Volpin 99 00:12:47,400 --> 00:12:57,300 wonderful music, voiced by Erast Garin and Michael Yanshina, Brilliant art direction by Anatoly Sazonov. 100 00:13:03,875 --> 00:13:10,025 Dot, dot, comma, minus, curve ... stick, stick and egg-shape, ready the little man is 101 00:13:20,425 --> 00:13:25,125 Aesthetic smuggling that's what they were doing. 102 00:13:25,250 --> 00:13:30,775 And they were right being more afraid of the State Committee for Cinematography than fire. 103 00:13:30,975 --> 00:13:37,600 They from the start, that's something I remember discussed this Aesthetic smuggling! 104 00:13:37,750 --> 00:13:44,075 And this little man! I know where he came from. So spoke the editor of the state fund (Goskino). 105 00:13:44,175 --> 00:13:53,325 This is not wine, but only ink that Gavrilo pours out here in the morning. 106 00:13:53,625 --> 00:13:58,225 We will drink the ink in these glasses 107 00:13:58,400 --> 00:14:03,750 in honor of the pure conscience in adults and boys 108 00:14:05,050 --> 00:14:15,550 He even said: "I know your language is like these Aesopian fables - 109 00:14:16,500 --> 00:14:24,825 I's a cloak, you trying to mislead me with I'm already figuring out this Aesopian language.. 110 00:14:24,820 --> 00:14:29,225 He warned us all the time. He panicked at this Aesopian language 111 00:14:29,300 --> 00:14:32,950 and most importantly, he was afraid he would miss something. 112 00:14:32,950 --> 00:14:39,375 And, of course: he missed it. Go like the wind, my eight-legged horse, I'm full of hope and anxiety. 113 00:14:39,370 --> 00:14:44,875 I can't believe Zaitsev will trait his friend I believe that children are good 114 00:14:44,870 --> 00:14:51,575 I know that Zaitsev has at least some conscience and honor. 115 00:14:51,570 --> 00:14:57,825 Probably, however, as it goes, our animation art also has its periods and epochs, 116 00:14:57,893 --> 00:15:01,226 when the time comes to an end and it already has, 117 00:15:01,226 --> 00:15:06,640 Fyodor Zaitsev, I'm sure, will be eternal as Michael Angelo's Moses. 118 00:15:06,880 --> 00:15:10,000 My acquaintance with the sisters Brumberg 119 00:15:10,000 --> 00:15:15,750 was in prehistoric times, in 1948. I graduated from the State Institute of Cinematography - 120 00:15:15,920 --> 00:15:22,373 Art Department and had been appointed, at first part-time, at studio Soyuzmultfilm. 121 00:15:22,426 --> 00:15:24,160 Artist/art-director Lana Azarkh 122 00:15:24,226 --> 00:15:30,450 In the room where I met the head of the personnel department sat the Brumbergs, 123 00:15:30,575 --> 00:15:36,600 In the narrow room were two very simular looking ladies, 124 00:15:36,786 --> 00:15:39,586 but one was big and the other one small. 125 00:15:40,000 --> 00:15:46,470 When the chief HR said that I would work for them in the role of art assistant, 126 00:15:46,575 --> 00:15:51,925 there was a friendly cry. "We do not want one, we do not want one!" 127 00:15:51,920 --> 00:15:56,975 So since 1955, and 128 00:15:56,970 --> 00:16:03,825 until the death of Valentina S., I have always worked with them. 129 00:16:06,000 --> 00:16:12,850 In the animation "The Island of errors" the cow and horse were voiced by brilliant actors - 130 00:16:12,850 --> 00:16:18,125 Serafima Birman and Vladimir Gribkov. - Excuse me, but who are you? 131 00:16:18,120 --> 00:16:24,250 We used to be the cow and the horse 132 00:16:27,300 --> 00:16:33,813 From task 118, But after a certain shameless boy 133 00:16:33,866 --> 00:16:36,550 Crossed us, we became... what you see now. 134 00:16:36,550 --> 00:16:45,000 Many have drawn caricatures of the Brumberg. Especialy sarcastic is this one from Grigory Kozlov. 135 00:16:47,450 --> 00:16:51,400 Yes ... Some people in our time were heroes. 136 00:16:52,350 --> 00:16:57,975 It's very touching to remember them ... Why - also because of being 137 00:16:58,100 --> 00:17:05,050 extremely jealous. They very much liked, actually,I do not know, maybe somewhere on their own, 138 00:17:05,050 --> 00:17:11,975 in the silence of the night, they somehow behaved differently, but when in public, 139 00:17:12,350 --> 00:17:21,700 They just loved their work, loved their pictures. That's why besides the envy, I needed to learn from them. 140 00:17:21,700 --> 00:17:29,625 Their temperaments were different, V alentine was so explosive, Zinaida S. was more impulsive. 141 00:17:29,975 --> 00:17:35,250 more relaxed. Nicholas R. Erdman, their screenwriter and 142 00:17:35,250 --> 00:17:40,200 a long-term friend, always said: "These different sisters!" 143 00:17:40,200 --> 00:17:46,225 One, he's talking about Valentina, - acting as Courtesan racing in 144 00:17:46,300 --> 00:17:52,575 nightly walks along restaurants and the other, Zinaida S., sits at home and eat noodles. 145 00:17:52,650 --> 00:17:59,975 They were very cultured people and good artists. When Valentina S. went abroad 146 00:17:59,970 --> 00:18:06,900 She always took a travel notebook to draw in. The drawings were great. 147 00:18:06,900 --> 00:18:09,700 Zinaida S. is a outstanding watercolor artist. 148 00:18:09,700 --> 00:18:15,480 These sketches for the film "The time machine" are surely inspired by journeying Tunesia. 149 00:18:15,480 --> 00:18:19,653 The film was written by Lana Azarkh and Valentina. 150 00:18:19,870 --> 00:18:21,946 From the notes of Zinaida Semyonovna: 151 00:18:22,040 --> 00:18:26,280 I'm so happy that before directing "The Canterville Ghost" 152 00:18:26,475 --> 00:18:31,225 my sister and I went to England as tourists. In the Tower of Menzies castle, 153 00:18:31,220 --> 00:18:37,350 consisting of huge stones and spiral staircases, we could visualize our eccentric hero. 154 00:18:37,493 --> 00:18:39,733 When we worked we had a lot of fun. 155 00:18:39,780 --> 00:18:44,280 Valentina S. had the firm conviction that work should be fun. 156 00:18:44,320 --> 00:18:51,200 So there was a lot of laughter. It didn't mean we got distracted from work. It accompanied it. 157 00:18:51,746 --> 00:18:54,586 An hour before the rendez-vous (1965) 158 00:19:04,675 --> 00:19:10,700 On the whole, it was our second home. Maybe even the first one. 159 00:19:10,850 --> 00:19:14,826 They were very kind to their artists. 160 00:19:15,020 --> 00:19:20,320 They vey well understood the merit of background artists and animators. 161 00:19:20,320 --> 00:19:24,560 As their animators also very much appreciated their directors. 162 00:19:24,613 --> 00:19:32,120 Through their creative they bonded in friendships, despite the age difference. 163 00:19:32,275 --> 00:19:37,425 I must say that the voice actors we recorded always were outstanding. 164 00:19:37,570 --> 00:19:44,600 At one time Mikhail Yanshin directed the actors. 165 00:19:44,653 --> 00:19:47,280 He was accompanied, in my opinion, by the entire theater-institute. 166 00:19:48,350 --> 00:19:53,480 The launch of the country's first satellite marked the era of the Khrushchev thaw. 167 00:19:53,560 --> 00:19:56,920 For a period the totalitarian regime became liberal. 168 00:19:57,066 --> 00:20:02,500 It became possible to make funny, satirical films on contemporary themes. 169 00:20:09,375 --> 00:20:15,025 The Brumberg Sisters wrote: "Big Troubles" was very dear to us, it brought us nothing but joy. 170 00:20:15,080 --> 00:20:18,760 When the script was brought over by Slovodskoi, 171 00:20:18,813 --> 00:20:23,213 in the script itself lay the key to how to graphically approach this, 172 00:20:23,266 --> 00:20:26,266 because the little girl was telling the story. 173 00:20:26,380 --> 00:20:33,173 And that's why I made the first sketches, like the first drawings children make. 174 00:20:33,293 --> 00:20:43,150 I made them on brown paper, with watercolors, and thick black outlines, 175 00:20:43,200 --> 00:20:50,600 and the figures I made alike well, incidentally, they move as if they're not moving ... because 176 00:20:50,600 --> 00:20:57,100 children draw often in profile. So they move accordingly. 177 00:20:57,100 --> 00:21:03,400 The animators really had to deal with some technical issues here. 178 00:21:03,400 --> 00:21:09,800 This is me. This is my complete family. 179 00:21:10,075 --> 00:21:16,275 Papa had to carry the entire household It wore him out and made him fold 180 00:21:16,270 --> 00:21:22,525 Left direction* he decide to go, *(Black market) To fire* refrigerators in a row. *(Sell illegal) 181 00:21:27,925 --> 00:21:34,725 but as they to the left did pace, they seemed to have left a notable trace. 182 00:21:34,925 --> 00:21:39,700 In his heart this fear now crept that it would cause him to get swept* *(Arrested) 183 00:21:41,350 --> 00:21:45,750 Here is a qualified non-realistic style, for me, 184 00:21:45,933 --> 00:21:49,493 already settled into this blatant realism 185 00:21:49,653 --> 00:21:56,470 - I was not able to master this style, so I felt like I shouldn't be in the credits. 186 00:21:56,546 --> 00:22:02,770 Now I'll tell you about Kapa She looks like mama, not like papa 187 00:22:02,840 --> 00:22:09,346 Kapa is a well shaped girl Kapa has no need to be a working pearl 188 00:22:09,340 --> 00:22:15,733 Kapa doesn't have a need to study Kapa can live happy-go-lucky 189 00:22:15,925 --> 00:22:19,550 Animated scenes of rock 'n' roll by Marina Vaskanyants. 190 00:22:19,550 --> 00:22:25,350 She was dancing herself and was the best for executing the dance scenes in the animation. 191 00:22:25,533 --> 00:22:29,586 We had this, so to speak, salon, 192 00:22:29,720 --> 00:22:34,870 because people went there with something on their mind, or without, for ,say, a good laugh. 193 00:22:34,986 --> 00:22:37,093 So, one day, I was sitting there alone, 194 00:22:37,240 --> 00:22:41,220 the door opened quietly in the evening and in came the general manager. 195 00:22:41,350 --> 00:22:45,850 Such a gray shadow. he greeted me and said: 196 00:22:45,970 --> 00:22:51,013 "You know, Lana A., from all groups I know, what's happening on the inside, 197 00:22:51,053 --> 00:22:53,946 but about your group, I don't know anything. 198 00:22:54,200 --> 00:22:56,200 Well, I said to him. 199 00:22:56,280 --> 00:23:00,670 - "What is for you a good relationship? What questions do you have?" 200 00:23:00,670 --> 00:23:04,000 Well, I told him, that if something occurs 201 00:23:04,160 --> 00:23:07,826 we solve it successfully because we have a great mutual understanding. 202 00:23:07,906 --> 00:23:13,750 And so, I never received a good rating and left the studio. 203 00:23:13,900 --> 00:23:20,600 The sisters had close relations with the author Yuri Olesha. [Three fat men 1963] 204 00:23:20,666 --> 00:23:28,100 At that time they lived under poor conditions. Yuri Olesha's wife Olga Gustavovna Swauk, 205 00:23:28,100 --> 00:23:34,150 the main character was named after her, was forced to sew, and the famous writer 206 00:23:34,280 --> 00:23:36,500 appeared summer and winter at the studio 207 00:23:36,586 --> 00:23:41,070 in the same coat. But always brilliant and witty. 208 00:23:42,106 --> 00:23:47,050 Without this fuss, the bustle, they could not live, 209 00:23:47,050 --> 00:23:51,100 for them, it would be equivalent to death; I am absolutely convinced of it. 210 00:23:51,200 --> 00:23:54,666 Equivalent to physical death, and I remember it well, 211 00:23:54,813 --> 00:24:00,220 I remember, I do not recall which Czar, that is, which manager 212 00:24:00,475 --> 00:24:04,850 posed the question, if they shouldn't send them in honorable retirement. 213 00:24:05,025 --> 00:24:12,150 They broke out in tears, but I was then who? - I was chairman of the creative board, 214 00:24:12,240 --> 00:24:17,870 We too were like bosses, Fedenka, well, we make sure that we did not fire them. 215 00:24:17,933 --> 00:24:23,820 Valentina S. died due to the fact that they were denied work. 216 00:24:23,880 --> 00:24:28,220 They were still in their forces and, be sure, COULD still work. 217 00:24:28,220 --> 00:24:32,900 Holy smoke, parenting isn't easy We had us Gaidar and Tolstoy! 218 00:24:32,900 --> 00:24:37,625 who were teaching us, that we have mind and logic! 219 00:24:37,666 --> 00:24:42,070 Nightingale, nightingale, sing while you can, 220 00:24:42,146 --> 00:24:46,680 Every era gives birth to it's own masterpieces, that, without fail, will remain 221 00:24:46,740 --> 00:24:51,666 And of those are many, many by our dear sisters Brumberg. 222 00:24:51,706 --> 00:24:56,906 Valentina S. who knew three languages, began to study Spanish. 223 00:24:56,960 --> 00:25:01,370 When I asked: why you need it, she said: "I believe in an afterlife ..." 224 00:25:11,500 --> 00:25:15,480 At the film worked Writter and director: Irina Margolina, camera: G Lyahobetski, sound V tarassov, I Voronin 225 00:25:15,546 --> 00:25:17,480 Montage: D Zhigunov, K Lunkin 226 00:25:17,586 --> 00:25:19,480 Music K Bodprv, E Vorohovski Consultant G Borodin 227 00:25:19,613 --> 00:25:21,680 Text reader: Eduard Nazarov 228 00:25:21,786 --> 00:25:24,093 Historic material was used from The gosfilmfund etc, and archives from Marka Lyakhovetsk, Lev Atamanov 229 00:25:24,226 --> 00:25:26,360 Filmfragments were shown from «China in flames(Hands off from China)» (1925) 230 00:25:26,453 --> 00:25:28,546 «THE BOY FROM SAMOED» (1928) 231 00:25:28,546 --> 00:25:30,540 «THE TALE ABOUT TZAR DURUNDAI» (1934) 232 00:25:30,640 --> 00:25:32,540 «THE CAT IN BOOTS» (1938) 233 00:25:32,640 --> 00:25:34,666 «THE TALE ABOUT TSAR SALTAN» (1943) 234 00:25:34,773 --> 00:25:36,893 «A DISAPPEARED DIPLOMA» (1945) 235 00:25:37,000 --> 00:25:38,890 «THE TALE ABOUT THE SOLDIER» (1948) 236 00:25:38,986 --> 00:25:40,890 «FEDIA ZAITSEV» (1948) «AN ISLAND OF MISTAKES» (1955) 237 00:25:40,973 --> 00:25:43,200 «BIG TROUBLES» (1961) «THREE FAT MEN» (1963) 238 00:25:43,333 --> 00:25:45,573 «AN HOUR BEFORE THE RENDEZ-VOUS» (1965) «ABOUT THE CRUEL STEPMOTHER» (1966) 239 00:25:45,666 --> 00:25:47,570 «THE CANTERVILLE'S GHOST» (1970) 240 00:25:48,960 --> 00:25:51,466 General Producer Irina Margolina 241 00:25:52,226 --> 00:26:00,560 The End Subs by Alevtina & Eus, April- June 2015 Film produced by Studio MIR 2013