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Phụ đề của (—) (2018)

tiếng Anh
Tháng sáu 03 2024 08:11:53
đã đăng theo Kevin McNeer, Niffiwan₂
Gofmaniada.2018.en.1.25fps.1717402313.srt ⭳
Điểm: good

Subtitles by Kevin McNeer for an early version of the film (before the final release). Transcribed by Niffiwan in June 2020, though with some omitted lines, then edited to translate certain untranslated lines, correct the spelling of some German names and translate the full credit sequence. In Oct 28, 2023, updated subtitles were published to one of the official Soyuzmultfilm YouTube channels fixing many of the same issues (sometimes in the same way), and breaking up long lines, but without the credits translation. In June 2024, the latest subs were edited again by Niffiwan to add the credits back in, as well as fix some remaining translation issues (including some that were fixed in the second 2020 subtitles but not in 2023).

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1 00:00:01,039 --> 00:00:03,000 Soyuzmultfilm presents 2 00:00:04,040 --> 00:00:07,280 with support from the Ministry of Culture of the Russian Federation 3 00:00:14,880 --> 00:00:19,040 The Cinema Foundation 4 00:00:19,800 --> 00:00:22,480 with support from the CINEMA FOUNDATION OF THE RUSSIAN FEDERATION 5 00:00:35,960 --> 00:00:44,400 HOFFMANIADA 6 00:00:45,280 --> 00:00:50,480 The dramatis personae and the actors who lent their voices to the puppets 7 00:00:59,120 --> 00:01:02,000 Ernst is an attorney and aspiring composer. 8 00:01:02,000 --> 00:01:05,000 One day he will become the great German romantic writer 9 00:01:05,480 --> 00:01:07,320 E.T.A. Hoffmann. 10 00:01:07,800 --> 00:01:08,679 In his imagination, 11 00:01:08,840 --> 00:01:13,320 Ernst at times transforms into the splendid youth Anselmus. 12 00:01:14,800 --> 00:01:20,400 Anselmus is hopelessly in love with the wondrous snake-girl Serpentina. 13 00:01:22,100 --> 00:01:26,639 Serpentina the snake-girl is the daughter of the good magician 14 00:01:26,679 --> 00:01:28,920 Archivarius Lindhorst. 15 00:01:29,519 --> 00:01:34,000 Salamander Lindhorst is the royal privy archivist, 16 00:01:34,119 --> 00:01:37,679 exiled from Atlantis, and the father of Serpentina. 17 00:01:38,640 --> 00:01:43,920 Olympia is a mysterious girl of few words. 18 00:01:45,800 --> 00:01:49,240 Allow me to introduce myself, The Parrot! 19 00:01:49,239 --> 00:01:53,880 The omni-secret (and omniscient) Parrot of our theatre. 20 00:02:08,360 --> 00:02:09,159 I see, 21 00:02:10,640 --> 00:02:13,280 I see in my dreams a miraculous bird 22 00:02:13,960 --> 00:02:16,440 in the form of a man with a proud profile, 23 00:02:17,600 --> 00:02:22,160 This is Salamander Lindhorst, both a magician and my protector, 24 00:02:22,800 --> 00:02:25,880 the father of beautiful Serpentina. 25 00:02:27,440 --> 00:02:32,760 But Fate has seen fit to test my heart with tender attraction 26 00:02:33,400 --> 00:02:35,480 to three young damsels. 27 00:02:45,320 --> 00:02:48,880 In this house is my modest cell. 28 00:02:49,920 --> 00:02:51,840 By day I serve in the Chancellery, 29 00:02:52,880 --> 00:02:56,280 but at night I live wholly in my visions. 30 00:02:57,239 --> 00:02:59,559 It happens at times that I even fall sleep. 31 00:03:11,559 --> 00:03:17,840 I see hidden Atlantis, my poetic dream, 32 00:03:18,920 --> 00:03:24,639 and I see myself as Anselmus, in love with Serpentina. 33 00:03:25,760 --> 00:03:29,480 She first appeared to me in the Elderberry Tree. 34 00:03:46,400 --> 00:03:47,720 Stop! Stop! 35 00:03:47,960 --> 00:03:49,639 The Elderberry Tree. 36 00:03:49,960 --> 00:03:56,000 The romantic spot where our hero first saw Serpentina. 37 00:04:01,639 --> 00:04:03,639 It's so enchanting here! 38 00:04:12,519 --> 00:04:18,239 Here and there among the branches, we weave, twist, turn, and dangle. 39 00:04:18,400 --> 00:04:20,519 Sisterkin, sisterkin! 40 00:04:20,679 --> 00:04:28,920 Quick, quick, up and down - the evening sun shoots forth its rays, 41 00:04:29,440 --> 00:04:32,440 as the rustling wind shakes the leaves... 42 00:04:32,639 --> 00:04:36,880 Sister! Sister! Quickly! Sister! 43 00:04:37,239 --> 00:04:41,039 Hey, what's all this chatter, this whispering? 44 00:04:41,159 --> 00:04:44,960 Enough! You've basked enough, you've sung enough! 45 00:04:45,280 --> 00:04:47,559 Hey ho, through grass and water, below we go! 46 00:04:47,679 --> 00:04:50,760 Homeward! Homeward, homeward! 47 00:04:51,199 --> 00:04:56,639 Oh, if you would once more glitter and coil and swing on the branches, 48 00:04:56,880 --> 00:04:58,280 my darling golden snakelet! 49 00:04:59,519 --> 00:05:01,079 How I love you! 50 00:05:02,119 --> 00:05:06,800 I'll die of grief and agony if you do not return! 51 00:05:07,159 --> 00:05:10,519 Hey, what is all this whimpering and whining? 52 00:05:10,880 --> 00:05:12,679 Herr Privy Archivarius? 53 00:05:13,039 --> 00:05:15,559 What do you want from the Elderberry Tree? 54 00:05:16,280 --> 00:05:22,360 Ah! Just now I saw a golden-green snakelet, 55 00:05:20,119 --> 00:05:21,840 eternally beloved of my soul, 56 00:05:22,679 --> 00:05:25,360 and she spoke to me in glorious crystalline tones. 57 00:05:25,800 --> 00:05:27,400 Perhaps you will think me mad, but... 58 00:05:27,800 --> 00:05:29,280 Not at all. 59 00:05:29,719 --> 00:05:33,519 The golden-green snakelets you saw in the elder bush 60 00:05:34,119 --> 00:05:35,400 were my three daughters. 61 00:05:36,159 --> 00:05:38,159 And it's quite clear to me 62 00:05:38,239 --> 00:05:40,519 that you have fallen head-over-heels in love 63 00:05:40,960 --> 00:05:43,400 with the blue eyes of my youngest, Serpentina. 64 00:05:43,880 --> 00:05:45,960 Oh Serpentina! 65 00:05:46,120 --> 00:05:50,360 Calm thyself, enough for today. 66 00:05:50,400 --> 00:05:56,120 Incidentally, you can see them quite often, if you decide to work for me. 68 00:05:56,160 --> 00:06:00,280 - Truly? - On the condition that you perform your work well. 69 00:06:00,480 --> 00:06:03,120 Whatever you command, Herr Archivarius! 70 00:06:08,440 --> 00:06:12,159 This is no good. Coming late to the Chancellery! 71 00:06:11,960 --> 00:06:15,560 Greens, greens, fresh greens! - Apples! Pies! 72 00:06:22,760 --> 00:06:26,480 Flee, devils' spawn! But beware! 73 00:06:27,400 --> 00:06:32,400 You'll end up under glass! Under glass! 74 00:06:38,440 --> 00:06:42,960 Distant childhood! 75 00:06:43,040 --> 00:06:46,119 Under glass... Accursed witch! 76 00:06:46,480 --> 00:06:49,519 You awakened within me the terrors of distant childhood. 77 00:06:51,080 --> 00:06:56,880 How often in the night the uncanny shapeshifter stalked me... 79 00:07:13,200 --> 00:07:20,760 Look at you, a human cub! And what fresh little eyes you have. 80 00:07:21,480 --> 00:07:28,039 Nice eyes. Give me your eyes, my sight has gone bad. 81 00:07:28,280 --> 00:07:29,400 Give them to me! 82 00:07:29,760 --> 00:07:30,639 I won't! 83 00:07:43,160 --> 00:07:47,159 Who was that? Nanny, nanny, who was that? 84 00:07:47,599 --> 00:07:53,239 The Sandman. How can you not know? The man with the sand. 85 00:07:54,240 --> 00:07:55,639 He's a wicked man who comes for children 86 00:07:55,880 --> 00:08:00,560 who are stubborn and won't go to bed. 87 00:08:03,159 --> 00:08:05,880 He flings a fistful of sand into their eyes 88 00:08:06,159 --> 00:08:08,599 and then throws the disobedient children into his sack 89 00:08:08,760 --> 00:08:10,379 and takes them to the moon 90 00:08:10,480 --> 00:08:13,440 to feed to his little ones, waiting up there in their nest. 91 00:08:14,360 --> 00:08:18,840 But you are a well-behaved boy, so rest easy. 92 00:09:22,920 --> 00:09:25,680 The Sandman, the fearsome Sandman... 93 00:09:27,159 --> 00:09:31,200 was the old advocate Coppelius, who often dined with us. 94 00:09:31,240 --> 00:09:33,279 He always filled me with horror. 95 00:09:33,440 --> 00:09:37,639 Most disgusting were his knotted, hairy paws. 96 00:09:37,960 --> 00:09:41,520 I felt sickened by whatever they touched. 98 00:09:45,080 --> 00:09:48,360 A joy to see you, my dear Master. 99 00:10:00,560 --> 00:10:03,560 I trembled with fear, but I felt compelled: 100 00:10:03,640 --> 00:10:05,159 I had to uncover the secret 101 00:10:05,359 --> 00:10:08,800 that bound my beloved father to this foul man. 102 00:10:09,100 --> 00:10:10,960 Look alive! Straight to work! 103 00:10:11,600 --> 00:10:15,960 Now it became clear why every time Coppelius visited 104 00:10:16,319 --> 00:10:22,560 a thin fume with a singular odor would fill the house. 105 00:10:49,000 --> 00:10:51,280 Eyes! Eyes! Must have eyes! 106 00:11:04,560 --> 00:11:08,239 Eyes this way! Eyes! Where are the eyes? 107 00:11:09,640 --> 00:11:12,560 There's the wee beastie! 108 00:11:19,720 --> 00:11:25,080 Now we have eyes - a pretty pair of child's eyes! 109 00:11:29,120 --> 00:11:30,439 Master! Master! 110 00:11:30,720 --> 00:11:34,920 Leave my son his eyes, better to take mine... 110 00:11:35,560 --> 00:11:39,960 Ha! Who needs your old, blind eyes! 111 00:11:40,040 --> 00:11:44,480 Here are my eyelets. 112 00:11:44,520 --> 00:11:46,360 I implore you! 113 00:11:48,680 --> 00:12:01,640 Well, let the lad have his eyes and do his share of the world's crying. 114 00:12:11,840 --> 00:12:14,840 Fie! What a frightful dream! 115 00:12:15,720 --> 00:12:19,680 Nutcracker, you're always at my side. 116 00:12:20,000 --> 00:12:22,320 One moment. 117 00:12:25,560 --> 00:12:27,560 Right, then... 118 00:12:33,920 --> 00:12:38,520 Greetings, Frau Mark! Good morning, Veronika! 119 00:12:45,760 --> 00:12:49,400 My husband, The Honourable Consul... - Please be seated. 120 00:12:49,440 --> 00:12:50,439 has asked me to convey to you 121 00:12:50,439 --> 00:12:54,920 that since you began instructing our daughter 122 00:12:54,920 --> 00:12:58,279 her singing has improved immeasurably. 123 00:12:59,440 --> 00:13:00,920 A pleasure to hear. 124 00:13:02,319 --> 00:13:07,760 Our daughter dreams of becoming a singer. 125 00:13:07,800 --> 00:13:10,280 This will require much work. 126 00:13:14,480 --> 00:13:17,520 Have you any objection to my presence at the lesson? 127 00:13:17,600 --> 00:13:18,400 I would be honored. 128 00:14:05,080 --> 00:14:06,720 What's happening, Mama? 129 00:14:07,960 --> 00:14:09,760 Young man, we must be off now. 130 00:14:09,840 --> 00:14:13,199 We need to attend to the dress being sewn for Veronika 131 00:14:13,239 --> 00:14:17,079 for our musical evening. 132 00:14:17,960 --> 00:14:20,640 Incidentally, do come yourself to our salon. 133 00:14:20,640 --> 00:14:25,040 You could play something, and I hope our guests would enjoy it. 134 00:14:35,960 --> 00:14:38,280 Umph, these attics. 135 00:14:49,880 --> 00:14:54,319 Accursed Coppelius! Vile Sandman! Fat worm! 136 00:14:54,399 --> 00:15:00,359 How long will you haunt me? Leave me in peace! Away! 137 00:15:05,920 --> 00:15:06,600 So! 138 00:15:08,880 --> 00:15:09,560 So! 139 00:15:15,119 --> 00:15:15,800 Yes! 140 00:15:18,000 --> 00:15:18,680 Yes! 141 00:15:20,039 --> 00:15:20,720 Yes! 142 00:15:26,600 --> 00:15:29,960 Bravo! Bravo! Prima! - You are too kind! 143 00:15:30,159 --> 00:15:35,319 Stupendous! Bravissimo! Stupendous! Bravo! 144 00:15:37,119 --> 00:15:39,199 The hated Chancellery. 145 00:15:48,600 --> 00:15:50,960 Can it be that I must sit through my entire life 146 00:15:51,039 --> 00:15:54,440 amongst these office rats? 147 00:16:11,080 --> 00:16:14,640 The blessed fool! 148 00:16:25,319 --> 00:16:28,640 Home, home, home! Time to go home! 149 00:16:36,840 --> 00:16:39,760 "Lutter & Wegner" Tavern. 150 00:16:44,439 --> 00:16:47,119 - I'm burning with expectation! - And what did you say? 151 00:16:47,199 --> 00:16:48,439 We're all ears! 152 00:16:48,520 --> 00:16:50,159 "Oh, yes!" I informed him, 153 00:16:52,000 --> 00:16:59,479 "I can only guess at the noble ancestry of your scratched nose and puffy cheeks." 154 00:17:00,120 --> 00:17:02,960 Everybody burst into guffaws! 155 00:17:03,000 --> 00:17:09,000 And of what noble origin is this part of your body? 156 00:17:13,960 --> 00:17:20,520 And my foot in his arse! 157 00:18:29,600 --> 00:18:30,880 To your health! 158 00:18:48,199 --> 00:18:49,680 I beg your pardon. 159 00:18:50,000 --> 00:18:52,119 Have you not forgotten about your invitation 160 00:18:52,239 --> 00:18:53,440 to the musical evening? 161 00:18:54,279 --> 00:18:56,239 An Evening of Music <i>chez</i> Madame Mark 162 00:19:10,560 --> 00:19:11,720 Herr Ernst, 163 00:19:11,840 --> 00:19:14,199 I shall explain things to you without delay. 164 00:19:14,040 --> 00:19:16,560 Tonight is the latest of our evening parties 165 00:19:16,680 --> 00:19:18,079 offering musical feasting. 166 00:19:20,079 --> 00:19:22,359 The atmosphere is most refined: 167 00:19:22,600 --> 00:19:27,760 alongside punch, wine and ice cream, a bit of music is always served. 168 00:19:27,880 --> 00:19:32,239 That is Herr Greppel, he's from Hamburg; he and his father, the senator, 169 00:19:32,319 --> 00:19:35,600 successfully run the banking house "Greppel & Son." 170 00:19:36,560 --> 00:19:41,199 Alongside ice cream, a bit of music is served. 171 00:19:43,680 --> 00:19:45,119 Why were you late? 172 00:19:45,319 --> 00:19:52,119 Me? I work a great deal... I'm writing... I'm writing an opera! 173 00:19:52,199 --> 00:19:53,079 Opera? 174 00:19:53,680 --> 00:19:59,479 It'll be a grand composition, "Undine", about the daughter of the Sea King. 175 00:19:59,640 --> 00:20:02,960 And could I sing in your opera? 176 00:20:04,319 --> 00:20:06,439 But of course, I would be only too glad. 177 00:20:07,079 --> 00:20:10,680 To see you every day, to be together. 178 00:20:11,079 --> 00:20:15,920 You must play Undine. Here is proof of my promise. 179 00:20:49,119 --> 00:20:50,760 Well here I am - your double! 180 00:20:51,199 --> 00:20:53,680 I can move you as I wish! 181 00:20:53,960 --> 00:20:55,400 Look! He is dancing by himself! 182 00:20:56,199 --> 00:20:59,359 What are you doing here? All the guests here are marionettes. 183 00:20:59,920 --> 00:21:02,800 Shall we make fun of them a bit, huh? 184 00:21:06,600 --> 00:21:07,720 What's that? 185 00:21:09,039 --> 00:21:11,199 Where did this pretty little leg come from? 186 00:21:11,319 --> 00:21:14,439 This is neither you nor me anymore, but our beloved Veronica! 187 00:21:14,560 --> 00:21:17,760 He's not himself! - It's uncanny, very uncanny! 188 00:21:17,840 --> 00:21:20,239 Madness, pure and simple! 189 00:21:24,840 --> 00:21:26,840 I've seen nothing like it! 190 00:21:37,600 --> 00:21:39,239 Flee, flee from here! 191 00:21:40,760 --> 00:21:45,200 Since I clearly cannot interest her with a pleasing appearance, 192 00:21:45,039 --> 00:21:51,520 I wish to become the embodiment of ugliness to attract her attention. 193 00:21:55,479 --> 00:21:58,880 But after all, if I may say so, I am an artist! 194 00:21:59,359 --> 00:22:01,680 And I have the body of true artist, 195 00:22:02,279 --> 00:22:06,319 which means that in paying visits I don't have to bring it with me, 196 00:22:06,520 --> 00:22:08,039 but can leave it at home. 197 00:22:21,199 --> 00:22:27,680 I don wanna! Don't like it! I'm just a doodlebug. I don wanna! 198 00:22:27,200 --> 00:22:30,960 For what did God punish me with this little werewolf? 199 00:22:31,479 --> 00:22:35,039 Why did I have to give birth to a disgrace and a laughingstock? 200 00:22:36,159 --> 00:22:38,039 When can I just die? 201 00:22:40,760 --> 00:22:45,479 Mom, look! - Like a cockroach! 202 00:22:45,560 --> 00:22:48,760 I'm a doodlebug. - Stand back, you'll get infected. 203 00:22:48,840 --> 00:22:50,199 Perfect for the circus. 204 00:22:51,960 --> 00:22:55,680 Well now, if you don't have the tiniest, handsomest little boy! 205 00:22:55,960 --> 00:22:59,520 Truly a blessing from God to whomever is sent 206 00:22:59,640 --> 00:23:01,720 such a wonderful, comely child. 207 00:23:03,119 --> 00:23:06,520 My dear Pastor, it's a sin for you, God's servant, 208 00:23:06,800 --> 00:23:08,960 to laugh at a poor woman, 209 00:23:09,039 --> 00:23:11,600 punished by the heavens for who knows what. 210 00:23:11,720 --> 00:23:13,439 What nonsense you're talking! 211 00:23:14,119 --> 00:23:16,600 Rather, tell me the name of this little one. 212 00:23:17,439 --> 00:23:20,399 That is his name - Zaches the Little One. 213 00:23:20,640 --> 00:23:24,920 Well then, let's hand over your promising youngster to me 214 00:23:25,000 --> 00:23:27,439 for care and upbringing. 215 00:23:27,720 --> 00:23:31,199 Can you really be serious? 216 00:23:31,359 --> 00:23:33,760 I will make a great man out of him. 217 00:23:33,880 --> 00:23:36,199 What a stroke of luck for the freak! 218 00:23:36,319 --> 00:23:39,479 He'll be the head of Chancellery! - Let's go home, children. 219 00:23:56,439 --> 00:24:00,880 He'll be the head of Chancellery! 220 00:24:03,760 --> 00:24:04,680 Who's that? 221 00:24:07,760 --> 00:24:09,800 Do me the honor of reading this. 222 00:24:13,600 --> 00:24:16,640 We have the honor of informing you that your proposition 223 00:24:18,359 --> 00:24:19,920 enjoys our full support. 224 00:24:21,119 --> 00:24:24,279 You are hereby appointed Kapellmeister of our theatre. 225 00:24:33,159 --> 00:24:39,040 To take those slender fingers and pass your palm over my face... 226 00:24:39,200 --> 00:24:39,520 An appointment! 227 00:24:42,640 --> 00:24:45,399 How I hoped for an answer to my letters, 228 00:24:45,840 --> 00:24:47,800 always receiving a rejection. 229 00:24:48,760 --> 00:24:50,079 And now an appointment! 230 00:24:50,880 --> 00:24:52,760 I shall this... 231 00:24:54,920 --> 00:24:59,560 ...that the terms offered for our partnership are highly flattering. 232 00:25:12,760 --> 00:25:15,279 Hello. - Good afternoon! 233 00:25:17,439 --> 00:25:21,039 May I be so bold as to present this trifle to your judgment. 234 00:25:22,039 --> 00:25:23,000 That's better. 235 00:25:43,680 --> 00:25:46,640 Who is the grim figure in the dark cape? 236 00:25:47,200 --> 00:25:50,520 Can it be that very same Sandman? 237 00:25:53,439 --> 00:25:54,800 Coppelius! 238 00:25:55,199 --> 00:25:57,920 That horrifying Flinger of Sand has appeared again. 239 00:25:58,600 --> 00:26:00,880 Eyes! Where are the eyes? 240 00:26:04,800 --> 00:26:06,079 Please come in! 241 00:26:09,800 --> 00:26:13,560 PROFESSOR OF PHYSICS AND MECHANICS MOSH PAULMANN 242 00:26:14,760 --> 00:26:18,359 Overjoyed I am, Herr Coppelius. 243 00:26:20,039 --> 00:26:23,039 Perhaps Coppelius is only my gloomy fantasy? 244 00:26:23,720 --> 00:26:27,159 Yet, my mood should be a good one today. 245 00:26:29,840 --> 00:26:35,600 My Olympia! 20 years I've labored, hiding her from the public. 246 00:26:37,760 --> 00:26:40,439 I've invested my entire life in her. 247 00:26:45,119 --> 00:26:47,960 Total silence is essential. 248 00:26:48,600 --> 00:26:52,399 But my clocks! - Less talk. To work! 249 00:26:56,680 --> 00:27:01,560 Our goal is to acquire the pure soul of Anselmus. 250 00:27:12,520 --> 00:27:15,600 Only the naïve soul of Anselmus 251 00:27:16,039 --> 00:27:18,800 can overcome the magic of the Salamander Lindhorst. 252 00:27:28,720 --> 00:27:29,880 Shall we get to work? 253 00:27:30,000 --> 00:27:36,239 So nice! Such nice eyeballs! Well then, clockmaker, let's begin. 254 00:27:55,560 --> 00:27:56,600 Theatre! 255 00:27:57,399 --> 00:27:59,479 It doesn't matter that it's empty now. 256 00:28:00,560 --> 00:28:03,240 People will come... 257 00:28:03,680 --> 00:28:08,240 Yes, people will come and it will come alive. 258 00:28:28,760 --> 00:28:30,359 I see it clearly. 259 00:28:34,359 --> 00:28:36,279 Yes, yes! 260 00:28:37,680 --> 00:28:41,359 Mice are after the maiden Marie. 261 00:28:41,920 --> 00:28:43,039 Help me! 262 00:28:49,920 --> 00:28:53,920 I'm the nutcracker, a brave knight! 263 00:28:54,440 --> 00:28:57,600 My mission is to fight evil. 264 00:28:58,440 --> 00:29:01,960 For Marie, I am ready to battle 265 00:29:02,400 --> 00:29:04,560 against the Mouse King! 266 00:29:06,240 --> 00:29:08,360 - Nutcracker, fight the Mouse King! - I am always ready to right 267 00:29:09,200 --> 00:29:12,320 with my teeth! Snap! Snap! Snap! 268 00:29:13,880 --> 00:29:20,000 Even alone without a sword, I can beat the Mouse Regiment! 269 00:29:23,480 --> 00:29:27,000 What's he clapping to? There's nobody there. 270 00:29:28,640 --> 00:29:33,680 Here I shall insert my Singspiele, my "Merry Musicians" 271 00:29:34,199 --> 00:29:35,399 and my opera "Undine"! 272 00:29:40,040 --> 00:29:43,319 My Olympia is not a talker, 273 00:29:43,399 --> 00:29:49,539 but with these eyes you brought, her gaze will inflame him... with amorous desire. 274 00:29:50,000 --> 00:29:52,239 He'll forget Serpentina, 275 00:29:52,319 --> 00:29:59,399 that snakelet the cursed Salamander is trying to push off on him. 276 00:30:02,920 --> 00:30:08,520 I'm curious how our Burghers ill react to my appointment. 277 00:30:12,439 --> 00:30:16,880 Glory to the happy burghers, 278 00:30:17,159 --> 00:30:20,880 Thrifty, wealthy men of trade. 279 00:30:21,079 --> 00:30:29,600 Ola-reeo! Ola-reeo! 280 00:30:29,680 --> 00:30:38,319 Our lives behind beer mugs are merry and brave! 281 00:30:38,399 --> 00:30:46,800 Ola-reeo! Ola-reeo! 282 00:30:47,079 --> 00:30:55,760 We are highly influential persons, Gentlemen in uniforms. 283 00:30:55,880 --> 00:31:03,840 But even we from time to time Like to have a bit of fun! 284 00:31:15,760 --> 00:31:20,720 My beloved Colombina! - Away, unworthy Truffaldino. 285 00:31:33,439 --> 00:31:36,119 See, the apprentice, 286 00:31:36,479 --> 00:31:40,039 the petty clerk is prancing around the theatre. 287 00:31:40,239 --> 00:31:44,000 Such a thespian should appreciate our theatrical work. 288 00:31:44,399 --> 00:31:49,640 He'll help us rid our domains of the accursed Salamander. 289 00:31:50,039 --> 00:31:52,840 That kind-hearted magician. 290 00:31:53,200 --> 00:31:55,880 She's coming to life! 291 00:31:58,440 --> 00:32:00,560 Undine! 292 00:32:01,120 --> 00:32:03,960 My subaquatic opera! 293 00:32:08,800 --> 00:32:13,840 I am Undine, Undine! 294 00:32:14,119 --> 00:32:19,000 Transparent and light, 295 00:32:19,079 --> 00:32:28,359 I came in the dark of night To the fisherman's hut. 296 00:32:29,560 --> 00:32:39,079 I'm a mermaid, a maid of the sea, A wave in love, 297 00:32:40,479 --> 00:32:50,880 Huldebrand, in joy and in sorrow I remain true to you. 298 00:32:55,520 --> 00:32:57,640 What are you doing here? 299 00:32:59,239 --> 00:33:01,079 I am your new Kapellmeister. 300 00:33:02,319 --> 00:33:04,159 You? - Me! 301 00:33:05,840 --> 00:33:09,000 I am writing an opera, almost finished. 302 00:33:09,720 --> 00:33:11,600 Here, it's called "Undine." 303 00:33:12,520 --> 00:33:14,079 I prefer to conduct it myself. 304 00:33:14,479 --> 00:33:20,560 You? You won't be seen even from the orchestra pit. 305 00:33:25,039 --> 00:33:26,199 So that's how it is. 306 00:33:27,239 --> 00:33:29,640 Drosselmeyer, here! 307 00:33:35,439 --> 00:33:36,520 Magical cloak! 308 00:33:47,359 --> 00:33:51,279 It seems to me I'm a giant. 309 00:34:05,560 --> 00:34:07,840 The deed is done. 310 00:34:28,560 --> 00:34:32,640 Done is the deed, done. 311 00:34:32,840 --> 00:34:35,439 What an interesting laboratory you have. 312 00:34:35,640 --> 00:34:38,399 So many curiosities. 313 00:34:42,520 --> 00:34:44,880 Tell me about this telescope. 314 00:34:45,000 --> 00:34:50,079 It's a special device with an unusual optical effect. 315 00:34:51,239 --> 00:34:52,239 What effect? 316 00:34:52,319 --> 00:34:55,800 This little tube shows what is desired rather than what is. 317 00:34:59,520 --> 00:35:03,439 Intriguing. - Would you like to try it out? 318 00:35:03,880 --> 00:35:08,239 Not I. But there is an individual for whom this is indispensable! 319 00:35:08,800 --> 00:35:10,439 But in that case... 320 00:35:11,680 --> 00:35:13,880 No buts. I'm taking it! 321 00:35:16,279 --> 00:35:21,479 He'll see what he wants to see. 322 00:35:24,920 --> 00:35:26,439 Oh, my Serpentina! 323 00:35:26,920 --> 00:35:29,479 That accursed old hag's curse frightens me: 324 00:35:29,560 --> 00:35:31,439 "You'll end up under glass!" 325 00:35:40,399 --> 00:35:43,199 Excellent and mysterious other. 326 00:35:48,399 --> 00:35:49,560 She's gone. 327 00:35:53,000 --> 00:35:56,640 Can't be late to the Chancellery. Where's my frock? 328 00:36:30,319 --> 00:36:34,640 This way. This way. 329 00:36:41,000 --> 00:36:44,840 Stand up! Do you not see who has graced us? 330 00:36:53,600 --> 00:37:01,000 What reliability! What zeal! What punctuality! 331 00:37:01,520 --> 00:37:06,079 Fine work! Exemplary, exemplary! 332 00:37:07,479 --> 00:37:12,520 Please receive from my hands this highest of awards: 333 00:37:13,880 --> 00:37:17,239 the Order of the Green-Spotted Tiger. 334 00:37:26,239 --> 00:37:28,520 This is a heavy tiger. 335 00:37:32,439 --> 00:37:35,520 Hold me! Don't hold me! 336 00:37:42,520 --> 00:37:43,520 Away! 337 00:37:49,079 --> 00:37:51,640 The tavern is just what I need. 338 00:38:23,000 --> 00:38:26,439 What's with you, Herr Ernst? You're out of sorts. 339 00:38:28,079 --> 00:38:31,000 Silly thoughts have been haunting me recently. 340 00:38:31,159 --> 00:38:32,119 How's that? 341 00:38:33,600 --> 00:38:36,600 Tell me, can a person be put inside glass? 342 00:38:40,159 --> 00:38:43,279 Six of one, half a dozen of the other. 343 00:38:44,640 --> 00:38:47,800 I also think it's balderdash. 344 00:38:48,640 --> 00:38:54,199 Personally, I prefer an inventive lie to banal truth. 345 00:38:54,560 --> 00:38:57,479 Onward, Herr Warlock! The show must begin! 346 00:38:59,079 --> 00:39:00,880 An Oriental tale! 347 00:39:01,600 --> 00:39:05,399 Imagine a magnificent procession... - He's gotten a bit carried away. 348 00:39:05,479 --> 00:39:08,239 Onto 12 snow-white unicorns... 349 00:39:09,600 --> 00:39:13,319 with little golden hooves... - Our very own teller of tales. 350 00:39:13,439 --> 00:39:17,479 ...mount creatures wrapped in scarlet silk robes. 351 00:39:17,640 --> 00:39:20,119 They are blowing pleasingly into silver trumpets, 352 00:39:20,199 --> 00:39:22,640 beating on cymbals and drums. 353 00:39:23,159 --> 00:39:27,720 Behind these excellent musicians come two giant ostriches 354 00:39:27,720 --> 00:39:30,399 dragging a glittering golden tulip 355 00:39:30,720 --> 00:39:34,760 in which sits a tiny old man with a long grey beard. 356 00:39:34,640 --> 00:39:39,479 Instead of a hat, his head is adorned with a silver funnel. 357 00:39:39,600 --> 00:39:42,800 The old man reads from a large book, 358 00:39:42,880 --> 00:39:44,960 having settled a pair of square spectacles on his nose, 359 00:39:45,560 --> 00:39:52,840 Behind him come 10 oddly dressed Moors with long spears and short swords. 360 00:39:52,920 --> 00:39:55,039 He can turn a phrase! 361 00:39:55,159 --> 00:39:59,880 Every time an old man turns a page in his book, he squeals: 362 00:40:00,039 --> 00:40:02,239 Kuri-pire-ksi-li-ni! 362 00:40:02,680 --> 00:40:05,200 And the Moors answer loudly: 363 00:40:05,240 --> 00:40:08,720 Bram-bure-bil-alamonsa-kiki-bura-son-ton! 364 00:40:09,079 --> 00:40:10,680 A bit scary, and a bit much. 365 00:40:10,760 --> 00:40:15,279 All together now! Kuri-pire-ksi-li-ni! 366 00:40:15,840 --> 00:40:21,239 Bram-bure-bil-alamonsa-kiki- bura-son-ton! 367 00:40:21,640 --> 00:40:25,119 Look! Look! It's begun! They're coming! 368 00:40:26,359 --> 00:40:28,920 What's that thunder? The ground is shaking! 369 00:40:32,279 --> 00:40:35,119 The crowd! - The same Moors with curved sabers! 370 00:40:35,479 --> 00:40:37,880 And the old fellow with the funnel! 371 00:40:38,840 --> 00:40:39,920 It's them! 307 00:40:40,520 --> 00:40:41,320 The very same... 308 00:40:41,400 --> 00:40:42,840 There's your balderdash. 309 00:40:42,880 --> 00:40:45,120 It's those very unicorns and Moors! 374 00:40:47,319 --> 00:40:52,840 A dark science! - Our Ernst has put on quite a show. 375 00:40:52,920 --> 00:40:56,760 He can see the future! - We'll pay with our heads for this! 376 00:40:58,359 --> 00:41:00,640 These visions smell of witchcraft! 377 00:41:05,239 --> 00:41:06,159 Horror! 378 00:41:06,359 --> 00:41:11,600 An invasion of bloodthirsty Moors against our unfortunate Burghers! 379 00:41:15,039 --> 00:41:16,439 He can see the future! 380 00:41:23,440 --> 00:41:25,560 Is Herr Ernst in? 381 00:41:26,319 --> 00:41:30,199 - Up in the attic. - Now we'll play a little trick. 382 00:41:42,079 --> 00:41:43,159 There now. 383 00:41:51,920 --> 00:41:55,319 It's her again. 384 00:41:58,520 --> 00:41:59,680 Or not her? 385 00:42:01,199 --> 00:42:03,359 A curious transformation. 386 00:42:04,760 --> 00:42:08,359 Did she not appear to me in the Elderberry Tree? 387 00:42:20,200 --> 00:42:25,480 You'll hear of me yet! 388 00:42:27,720 --> 00:42:33,680 Fool! Fool! Your place is in glass, in glass! 389 00:42:34,279 --> 00:42:35,920 Go away, old witch! 390 00:42:37,039 --> 00:42:38,359 This is better. 391 00:42:39,680 --> 00:42:44,439 I am delighted, Herr Anselmus, that you have finally come to me. 392 00:42:46,280 --> 00:42:50,000 I know that fatal being all too well, 393 00:42:50,040 --> 00:42:54,520 the fruit of chance love between a black dragon feather and a rotten beet root. 394 00:42:55,840 --> 00:42:59,560 She despises me and devises various tricks, 395 00:42:59,600 --> 00:43:06,200 and on this occasion became a doorknob to deny me a pleasant visit. 396 00:43:15,199 --> 00:43:20,239 Herr Student, Herr Student, whence come ye? 397 00:43:20,440 --> 00:43:24,880 And why such fancy clothes? 398 00:43:24,600 --> 00:43:35,199 You make a comic sight, in your incomparable wig and paper boots. 399 00:43:35,319 --> 00:43:38,760 Do you approve of my modest winter garden? 400 00:43:38,960 --> 00:43:40,000 Oh, my God... 401 00:43:40,760 --> 00:43:45,760 It is excellent beyond all measure, most honorable Herr Archivarius! 402 00:43:46,319 --> 00:43:51,680 But... the motley bird laughs too much at my lowliness. 403 00:43:51,760 --> 00:43:53,640 What deceit is this? 404 00:44:13,760 --> 00:44:15,760 Here is your workplace. 405 00:44:30,079 --> 00:44:35,680 Go on, dear boy. Serpentina will help you. 406 00:44:39,000 --> 00:44:42,479 I understood that I was speaking with the Prince of Spirits 407 00:44:43,199 --> 00:44:50,039 who now retired to his study to converse with emissaries 408 00:44:50,159 --> 00:44:52,000 from some other planet. 409 00:44:55,279 --> 00:44:58,399 It befits me to begin work. 410 00:45:00,199 --> 00:45:01,640 Dear Anselmus. 411 00:45:01,800 --> 00:45:05,359 Serpentina! Dear Serpentina! 412 00:45:10,239 --> 00:45:11,680 Dear Anselmus, 413 00:45:11,960 --> 00:45:15,720 I have come this minute to relate some particulars 414 00:45:16,000 --> 00:45:18,159 regarding my father and myself. 415 00:45:18,520 --> 00:45:24,520 Know, dearest, that my father hails from the wondrous tribe of Salamanders. 416 00:45:24,880 --> 00:45:27,319 He lived in the magical country of Atlantis, 417 00:45:27,439 --> 00:45:30,239 where reigned the powerful Prince of Spirits Phosphor, 418 00:45:30,319 --> 00:45:32,560 served by the spirits of all elements. 419 00:45:35,240 --> 00:45:42,560 Among the gardens of magical Atlantis 420 00:45:43,800 --> 00:45:51,920 my youthful father once roamed 421 00:45:53,479 --> 00:46:01,319 and in the basin of a flower saw a snakelet. 422 00:46:04,039 --> 00:46:05,359 Just as it was with us. 423 00:46:06,600 --> 00:46:09,840 You remember, Serpentina? 424 00:46:11,319 --> 00:46:19,199 How I met you in the Elderberry bushes 425 00:46:20,600 --> 00:46:25,560 and how tenderly you looked at me. 426 00:46:28,279 --> 00:46:33,720 Stop, Anselmus! We talk now of father! 427 00:46:35,840 --> 00:46:39,840 The Emperor of Spirits did not allow the Salamander 428 00:46:40,039 --> 00:46:43,920 to unite with his beloved. But father... 429 00:46:47,239 --> 00:46:52,239 Father forgot that his passion could consume, 430 00:46:52,319 --> 00:46:55,960 and engulfed his beloved in flame. 431 00:46:58,399 --> 00:47:02,520 It will be different with us. 432 00:47:04,039 --> 00:47:10,199 My love is like unto a light breeze. 433 00:47:11,720 --> 00:47:20,480 The curse upon my father will be lifted... 434 00:47:23,080 --> 00:47:25,480 ...as soon as I... 435 00:47:27,880 --> 00:47:34,680 ...find a heart's companion... 436 00:47:37,920 --> 00:47:42,480 ...with an innocent, unblemished... 437 00:47:43,720 --> 00:47:47,000 ...childlike soul. 438 00:47:51,760 --> 00:47:53,560 O, my Serpentina! 439 00:47:54,760 --> 00:47:57,039 I will love thee forever. 440 00:47:57,159 --> 00:47:59,479 Kind Herr Anselmus, 441 00:47:59,600 --> 00:48:04,279 you do indeed posses great abilities in calligraphy. 442 00:48:05,720 --> 00:48:08,880 Serpentina loves you. 443 00:48:08,960 --> 00:48:10,199 Be true to her, 444 00:48:10,319 --> 00:48:14,279 and you will know the glorious miracles of the golden pot 445 00:48:14,439 --> 00:48:17,640 and be happy for ages to come. 446 00:48:18,279 --> 00:48:21,560 I expect you tomorrow at noon sharp! 447 00:48:28,240 --> 00:48:29,720 Again she appears! 448 00:48:30,080 --> 00:48:36,240 It is as if some force unexpectedly draws me 449 00:48:34,159 --> 00:48:35,720 to this unknown lady. 450 00:48:38,279 --> 00:48:42,159 Calm! Calm! - Hey! Hey! 451 00:48:42,520 --> 00:48:47,439 Venerable Herr Ernst! Amice! My friend! 452 00:48:53,199 --> 00:48:54,439 Pleased to see you. 453 00:48:56,520 --> 00:49:00,079 Allow me to introduce my daughter, Olympia. 454 00:49:01,960 --> 00:49:03,760 I'm charmed to meet you! 455 00:49:08,119 --> 00:49:09,560 Herr Paulmann. 456 00:49:10,279 --> 00:49:13,319 Would you care to join us for a jaunt on the river? 457 00:49:14,640 --> 00:49:16,039 I'd be delighted. 458 00:49:26,319 --> 00:49:27,239 Charming! 459 00:49:34,240 --> 00:49:35,640 Charming! 460 00:49:39,800 --> 00:49:42,640 Can you not see us swimming before you? 461 00:49:42,840 --> 00:49:47,800 My sisterkin are looking at you. Believe, believe in us! 462 00:49:49,760 --> 00:49:51,520 Mein Herr, you're possessed! 463 00:50:02,239 --> 00:50:06,640 Is something disturbing you, mein Herr? Leave it be! Leave it be! 464 00:50:06,760 --> 00:50:11,760 I propose we put back a glass of my good old punch. 465 00:50:25,439 --> 00:50:27,840 More! More! 466 00:50:49,479 --> 00:50:51,039 It works! 467 00:51:25,560 --> 00:51:28,119 My beautiful, speechless creature, 468 00:51:28,359 --> 00:51:32,359 you are a ray from the distant, promised land of love. 469 00:51:40,160 --> 00:51:44,160 It starts to seem to me that you... 470 00:51:44,280 --> 00:51:45,760 ...only you... 471 00:51:46,200 --> 00:51:50,000 ...you alone truly understand me. 472 00:51:58,880 --> 00:52:01,239 Spin, my doll! 473 00:52:04,079 --> 00:52:07,479 What an unusually lively chat you've been having with my daughter. 474 00:52:07,560 --> 00:52:09,359 My good Herr Ernst, 475 00:52:09,439 --> 00:52:15,000 if you so enjoy speaking with this timid maiden, 476 00:52:15,019 --> 00:52:18,039 I'll always be delighted to see you in my home. 477 00:52:19,840 --> 00:52:21,000 But of course! 478 00:52:40,159 --> 00:52:41,079 My girl! 479 00:53:00,119 --> 00:53:02,079 No, no! 480 00:53:18,119 --> 00:53:19,680 Stop! Stop! 481 00:53:21,840 --> 00:53:23,079 Let go, buffon! 482 00:53:23,399 --> 00:53:26,199 Let go, let go, you vile scoundrel! 483 00:53:26,319 --> 00:53:30,439 Cursed dog, stupid tinkerer! 484 00:53:30,520 --> 00:53:33,520 I, it was I who created the mechanism that drives her! 485 00:53:33,640 --> 00:53:35,680 But I made the eyes! 486 00:53:37,560 --> 00:53:39,079 Away from here! - Let go! 487 00:53:39,720 --> 00:53:41,000 Be gone! - Let go! 488 00:53:41,880 --> 00:53:44,119 Go away! - Let go! 489 00:54:11,000 --> 00:54:13,900 Perhaps I myself am to blame for this calamity. 490 00:54:14,040 --> 00:54:20,239 I committed a sin against you, my glorious, beloved Serpentina! 491 00:54:19,040 --> 00:54:27,239 Did I not lose my faith and with it all that could bring me higher happiness? 492 00:54:28,480 --> 00:54:31,480 You will never be mine now. 493 00:54:33,359 --> 00:54:35,760 Good evening! 494 00:54:38,279 --> 00:54:41,119 Can I find Herr Ernst here? 495 00:55:19,520 --> 00:55:22,840 Serpentina! My Serpentina! 496 00:55:23,279 --> 00:55:26,439 It seems you were fain to call for my daughter? 497 00:55:27,119 --> 00:55:33,439 But she is at the other side of the house, at her music lesson. 498 00:55:33,920 --> 00:55:35,359 Let us move along. 499 00:55:53,560 --> 00:56:00,000 One wrong line or, God forbid, an ink spot on the original 500 00:56:03,239 --> 00:56:06,159 will bring woe upon you. 501 00:56:25,720 --> 00:56:34,680 Madman, suffer now the punishment for what thou hast so irreverently done! 502 00:56:54,119 --> 00:56:57,479 My kind Sirs, brothers in my misery, 503 00:56:57,560 --> 00:57:02,439 how can you remain so unconcerned, nay even pleased? 504 00:57:02,840 --> 00:57:08,159 Don't you know you're sitting in corked glass jars, as in a prison! 505 00:57:08,239 --> 00:57:09,960 You, mein Herr, are babbling. 506 00:57:10,119 --> 00:57:12,000 We are not in the least hindered 507 00:57:12,079 --> 00:57:15,039 from going to Joseph's or other taverns on a daily basis, 508 00:57:15,119 --> 00:57:21,399 relishing strong ale, frequenting other amusing establishments, or looking at girls. 509 00:57:21,720 --> 00:57:24,920 We've never felt better than now. 510 00:57:25,119 --> 00:57:27,039 It's quiet and relaxing here, 511 00:57:27,399 --> 00:57:30,159 but there's a bell ringing in your head again. 512 00:57:30,680 --> 00:57:33,840 Ringing! 513 00:57:34,199 --> 00:57:39,520 They have never known what freedom and life there is in faith and love. 514 00:57:39,200 --> 00:57:42,399 They have never seen the wondrous Serpentina! 515 00:57:42,479 --> 00:57:51,560 Anselmus! Believe, love, hope! Believe, love, hope! 516 00:57:59,000 --> 00:58:01,319 You ended up in glass! 517 00:58:01,840 --> 00:58:05,960 Sit and rot there! In glass! 518 00:58:07,560 --> 00:58:09,520 Leave me, devil's spawn! 519 00:58:09,960 --> 00:58:14,239 Only your hellish games drove me to sin. 520 00:58:15,000 --> 00:58:17,560 I betrayed Serpentina. 521 00:58:17,600 --> 00:58:19,360 Now I must redeem myself. 522 00:58:19,400 --> 00:58:26,399 I'm a bird and fly like a bird. Moldy parchments make me sick. 523 00:58:27,039 --> 00:58:29,199 How lovely I look! 524 00:58:32,159 --> 00:58:36,880 Mine! My golden pot! 525 00:58:36,960 --> 00:58:42,079 Devilish delusions. Away from here! 526 00:58:47,720 --> 00:58:50,800 Take this! 527 00:58:51,600 --> 00:58:52,640 It hurts! 528 00:59:03,800 --> 00:59:07,359 Dearest Anselmus, an all-destroying evil 529 00:59:07,479 --> 00:59:11,640 strove to invade your soul and divide you against yourself. 530 00:59:12,079 --> 00:59:17,800 But you have proven your faithfulness: be free and happy! 531 00:59:19,520 --> 00:59:24,279 Now you can write about all that you have seen. 532 00:59:24,439 --> 00:59:27,439 It will be a magnificent book. 533 00:59:31,159 --> 00:59:37,720 How deeply in my soul did I feel the blessedness of Anselmus. 534 00:59:39,279 --> 00:59:42,479 He has united with his dear Serpentina, 535 00:59:42,640 --> 00:59:45,179 has withdrawn to the mysterious kingdom 536 00:59:45,280 --> 00:59:51,600 for which his soul, full of strange hopes and premonitions, had yearned so long. 537 00:59:48,399 --> 00:59:51,199 full of strange aspirations and intimations! 538 00:59:54,439 --> 00:59:58,039 But in vain have I tried to set before you 539 00:59:58,520 --> 01:00:01,760 even a hint of the glories that now surround Anselmus. 540 01:00:11,600 --> 01:00:17,000 Looking over these 11 successfully completed chapters, 541 01:00:17,560 --> 01:00:20,159 I have been greatly tortured by the thought 542 01:00:20,239 --> 01:00:24,279 that I'll never be able to add the 12th and final chapter. 543 01:00:32,159 --> 01:00:34,760 Lookie here, what's he scribbling? 544 01:00:40,680 --> 01:00:42,239 Yuck, the text isn't tasty. 545 01:00:42,479 --> 01:00:45,920 I'm here. Forward! 546 01:00:48,279 --> 01:00:49,680 Pathetic Nutcracker! 547 01:00:57,600 --> 01:01:00,560 My cohort! Surround him! 548 01:01:08,720 --> 01:01:09,680 All against one. 549 01:01:14,239 --> 01:01:15,439 We're in trouble! 550 01:01:18,520 --> 01:01:19,239 Attack! 551 01:01:22,279 --> 01:01:26,760 Get ready, you silly fool! - And you, chancellery scum! 552 01:01:29,960 --> 01:01:30,880 My saber! 553 01:01:31,560 --> 01:01:32,520 Permit me. 554 01:01:42,399 --> 01:01:43,359 Run away! 555 01:01:45,059 --> 01:01:48,260 I am a cavalier of the Order of the Green-Spotted Tiger! 556 01:01:50,139 --> 01:01:52,399 I'm drowning in a chamber pot. 557 01:02:12,760 --> 01:02:16,560 Venerable Herr Ernst Theodor Amadeus Hoffmann, 558 01:02:16,680 --> 01:02:20,279 it is my understanding that you have became a famous writer 559 01:02:20,439 --> 01:02:22,199 and have set down in 11 chapters 560 01:02:22,319 --> 01:02:26,239 the singular fortunes of my good son-in-law, Anselmus, 561 01:02:26,319 --> 01:02:29,399 formerly a student, presently a poet; 562 01:02:29,479 --> 01:02:30,600 and that currently you are racking your brains 563 01:02:30,640 --> 01:02:36,760 over how to write the 12th and final chapter about his happy life in Atlantis, 564 01:02:36,880 --> 01:02:40,079 where he now lives with my daughter. 565 01:02:40,319 --> 01:02:44,319 With greatest esteem, Your humble servant, 566 01:02:44,439 --> 01:02:46,680 The Salamander Lindhorst, 567 01:02:46,920 --> 01:02:49,479 Archivarius of the Secret Royal Archives. 568 01:03:03,960 --> 01:03:08,159 I am extremely glad you have not refused my sincere offer. 569 01:03:08,560 --> 01:03:14,479 Sip a bit of this burning arrack, to which I've added a little sugar, 570 01:03:15,319 --> 01:03:17,279 and while you writing, 571 01:03:17,960 --> 01:03:23,359 I shall just bob up and down in the goblet for my own amusement, 572 01:03:23,479 --> 01:03:24,600 bob up and down. 573 01:03:26,199 --> 01:03:28,319 Hark! Hark unto us! 574 01:03:29,000 --> 01:03:33,159 We are joy and blessedness and the ecstasy of love! 575 01:03:34,279 --> 01:03:35,359 The ecstasy of love! 576 01:03:43,800 --> 01:03:49,199 My love! The Lily has opened its blossom. 577 01:03:49,560 --> 01:03:51,800 The highest of desires has been fulfilled! 578 01:03:52,159 --> 01:03:55,840 Is there a happiness equal to ours? 579 01:04:00,439 --> 01:04:01,800 Happy is Anselmus, 580 01:04:01,880 --> 01:04:04,199 who has thrown off the yoke of everyday life, 581 01:04:04,279 --> 01:04:08,119 who blessedly and joyously lives in his Atlantis. 582 01:04:08,960 --> 01:04:12,960 While I, in just a few minutes, 583 01:04:13,119 --> 01:04:17,319 must quit this fair chamber and magical lilac-colored table. 584 01:04:17,840 --> 01:04:21,279 I will find myself in my attic cell on the 5th floor, 585 01:04:22,079 --> 01:04:26,359 where my mind will be ruled by the dim pettiness of existence. 586 01:04:26,520 --> 01:04:29,279 Enough, enough venerable Herr! 587 01:04:29,399 --> 01:04:30,800 Don't complain so! 588 01:04:30,960 --> 01:04:34,840 Were you yourself not just in Atlantis? 589 01:04:35,720 --> 01:04:42,640 Do you not possess all of its charms within the poetic realm of your own mind? 590 01:04:42,960 --> 01:04:48,079 Can that have been anything less than life in poesy? 591 01:05:01,000 --> 01:05:08,680 We are your children, bard, None are happier by far, 592 01:05:08,880 --> 01:05:16,600 It is our destiny To live for eternity. 593 01:05:16,800 --> 01:05:24,319 As your pen traced Across the page, 594 01:05:24,399 --> 01:05:32,800 You became our Papa, our Mama, You alone did give us life. 595 01:05:33,000 --> 01:05:37,760 Greetings to you: masks, periwigs and hairpieces 596 01:05:38,159 --> 01:05:42,840 Garments for actors and actresses! 597 01:05:43,319 --> 01:05:52,960 Long live the magical, hidden, 598 01:05:49,000 --> 01:05:51,240 - Oh, is that how it is? Gnaw it, lads! - Mysterious and strange backstage world! 599 01:05:54,159 --> 01:06:04,159 Long live the magical, hidden, secretive and strange backstage world! 600 01:06:06,279 --> 01:06:14,000 The spectator will rave If he's kind, in delight, 601 01:06:14,239 --> 01:06:21,840 If he's wicked, then he'll ponder His own sorry plight. 602 01:06:22,239 --> 01:06:29,640 But both good and bad When spectacle's through 603 01:06:30,039 --> 01:06:33,960 Will clap for me and clap for you. 604 01:06:34,199 --> 01:06:38,720 And cry: Hoffmann, Hurrah! 605 01:06:48,119 --> 01:06:49,319 That's your curtain call! 606 01:07:03,600 --> 01:07:07,600 Directed by Stanislav Sokolov 607 01:07:07,640 --> 01:07:11,600 Screenplay by Stanislav Sokolov and Viktor Slavkin 608 01:07:11,640 --> 01:07:15,600 Lead Puppets by Mihail Shemyakin 609 01:07:15,640 --> 01:07:19,600 Original Music by Shandor Kallosh Song Lyrics by Aleksandr Timofeyevskiy 610 01:07:19,640 --> 01:07:23,720 Art Direction by Yelena and Nikolay Livanov 611 01:07:23,760 --> 01:07:27,240 Cinematography by Igor Skidan-Bosin Aleksandr Vihanskiy 612 01:07:31,520 --> 01:07:35,480 Lead Animators: Alla Solovyova, Yekaterina Rykova 613 01:07:35,520 --> 01:07:39,480 Animators: Olga Panokina, Svetlana Grishina 614 01:07:39,520 --> 01:07:43,480 Voice Actors: Vladimir Koshevoy, Anna Artamonova, Alexei Petrenko, Aleksandr Shirvindt, Pavel Lyubimstev 615 01:07:43,520 --> 01:07:45,960 Voice Actors: Vyacheslav Polunin, Natalya Fisson, Kevin McNeer, Viktor Duritsyn 616 01:07:46,000 --> 01:07:49,080 Project Supervisor and Editing: Veronika Pavlovskaya 617 01:07:49,120 --> 01:07:53,080 "Chancellery'' set by Mihail Chemiakin 618 01:07:53,120 --> 01:07:57,080 Artists: Yekaterina Bogachyova, Natalya Varlamova, Aleksey Leonovich, Marianna Monina 619 01:07:57,120 --> 01:08:00,880 Set Builder: Yuriy Aksyonov 620 01:08:00,920 --> 01:08:04,880 Puppet-Makers: lgor Hilov Gennadiy Bogachyov 621 01:08:04,920 --> 01:08:08,880 Puppet Finishing and Costumes: Yelena Pokrovskaya, Olga Usachyova 622 01:08:08,920 --> 01:08:12,840 Puppet Skeletons: Nikolay Zaklyakov 623 01:08:12,880 --> 01:08:16,800 Set Builder Assistants: Roman & Vitaliy Romanov 624 01:08:16,840 --> 01:08:20,760 Props Artists: Asya Kazanovskaya, Tatyana Fyodorova, Aleksandr Hovin-Pertaya 625 01:08:20,800 --> 01:08:24,720 Assistants: Tayana Lykasova, Alisa Tsepkova, Yelena Nemykh, Mariya Kulikova, Anastasiya Zaharova 626 01:08:24,760 --> 01:08:28,680 Musicians: violin - Semyon Yelizarov, alto - Vasiliy Kuharenko, cello - Arseniy Kotlyarovskiy, bass - Ilya Panichkin 627 01:08:28,720 --> 01:08:32,640 Compositing: Sergey Danilchenko, Pavel Nosyrev, Yuliya Milyohina, Dmitriy Nikitin, Anton Malvinov, 628 01:08:32,680 --> 01:08:36,600 Kseniya Chermashentseva, Pavel Filimendrikov, Aleksey Gerasimov, Oleg Ryabokhlyst, 629 01:08:36,640 --> 01:08:38,560 Konstantin Arefyev, Yelena Papinova 630 01:08:38,600 --> 01:08:40,520 Retouching Superviser: Yelena Papinova 631 01:08:40,560 --> 01:08:44,480 Retouching: Aleksey Stebakov, Yelena Papinova, Grigor Mashuryan, Aleksey Malvinov, Andrey Fomin, 632 01:08:44,520 --> 01:08:48,440 Yuliya Yefremova, Yuliya Milehina, Valentin Lanrov, Pavel Filimendikov, Kseniya Chermashentseva, 633 01:08:48,480 --> 01:08:50,400 Pavel Gunichev, Konstantin Arefyev 634 01:08:50,440 --> 01:08:52,360 Modeling: Marina Pustovaya 635 01:08:52,400 --> 01:08:54,320 Render Settings: Vadim Borzenko 636 01:08:54,360 --> 01:08:56,280 Constructions for Filming: Nikolay Treshchetenkov 637 01:08:56,320 --> 01:08:58,240 Exposition Sheets: Olga Vasilenko 638 01:08:58,280 --> 01:09:00,240 Quality Control and Archiving: Marife Ruzhanskaya 639 01:09:00,280 --> 01:09:02,240 Sound Director: Viktor Duritsyn 640 01:09:02,280 --> 01:09:04,280 Assistant Sound Director: Aleksandr Retin 641 01:09:05,440 --> 01:09:07,840 "Film Company ORYOL" 642 01:09:07,880 --> 01:09:10,080 Postproduction Sound Director: Andrei Kashin 643 01:09:10,120 --> 01:09:13,320 Vocal Ensemble "Malachite Box": Viktoriya Abulhanova, Darya Alyoshina 644 01:09:13,360 --> 01:09:16,560 Natakya Dobrynina, Veronika Ivanchenko, Polina Ivanova, Mariya Knyaginina 645 01:09:16,600 --> 01:09:18,520 Supervisor: Yelena Aleksandrovna Gofman 646 01:09:18,560 --> 01:09:20,480 Color Correction: Sergei Zaporozhtsev 647 01:09:40,600 --> 01:09:44,200 Closing Credits Sequence: Kevin McNeer 648 01:09:44,240 --> 01:09:46,640 Technical Support: Oleg Ryavokhlyst, Andrey Melnikov, Aleksey Stebakov, 649 01:09:46,680 --> 01:09:49,080 Aleksey Gankov, Miron Steinberg, Pyotr Muravyov 650 01:09:49,120 --> 01:09:51,520 Editors: Tatyana Paporova, Natalya Abramova 651 01:09:51,560 --> 01:09:53,560 Accountant: Tatyana Redina 652 01:09:53,600 --> 01:09:55,600 Post-Production Managers: Yulia Gruvman, Anna Sekhina 653 01:09:55,640 --> 01:09:57,240 Line Producer: Anastasia Lunkova 654 01:10:02,680 --> 01:10:06,640 Executive Producers: Yuliana Slashcheva, Boris Maskovtsev, Nikolai Makovsky, Sergey Strusovsky 655 01:10:08,000 --> 01:10:09,400 Thank you to: Ivan Voytenko, Olga Tolstaya, Manyk Denoyan, Rimma Deli, Shushash Mashuryan, 656 01:10:09,440 --> 01:10:10,840 Boris Smirnov, Denis Korotkov, Kseniya Solovyova, Yevgeniya Ilchenko, Veronika Pavlova, Elvira Tkachenko 657 01:10:10,880 --> 01:10:12,280 Anna Kalugina, Vladimir Pivovar, Nikita Semyonov, Vitaliy Arsenin, Maksim Novikov, Pavel Savinkov, 658 01:10:12,320 --> 01:10:13,720 Anna Simonova, Oleg Yelagin, Olga Alekseyeva, Oleg Gey, Liliya Samigullina, Olga Maslova, 659 01:10:13,760 --> 01:10:15,160 Yelena Dobrynina, Anna Gushchina, Alina Gabbasova, Lyubov Dobraya 660 01:10:17,720 --> 01:10:20,800 with support from the Ministry of Culture of the Russian Federation 661 01:10:21,040 --> 01:10:25,080 The Cinema Foundation 662 01:10:26,000 --> 01:10:29,440 Copyright "Soyuzmultfilm" Film Studio 2018 Subs by Kevin McNeer, ed. by Niffiwan (2024)