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Bình luận theo đầu phim The Returned Sun (1936)
1.Cynir

Based on the style of traditional Vietnamese paintings, film tells about a pioneer who stands up to save people from a solar disaster. But what happens after that is over ?

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Liberation Film Studio
The Documentary and Animation Workshop

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<b>THE SOUND OF THE</b>
<b>ROOSTER CALLING FOR SUNLIGHT</b>
- Subtitles by Duy Kiền -

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An old story told that:

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There were once twelve Sun Gods
who poured fire down upon human.

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They threw fire buckets down to Earth,

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causing people to get burns,

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the clothes to catch fire,
the trees into charcoal,

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the animals to hide in caves.

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An old story told that:

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There were twelve Sun Gods

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Who circled the sky every day

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Poured fire down upon Earth.

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The cities to be destroyed
And the villages in tears,

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Even the rivers to dry up.

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Fire burned everywhere,
Causing chaos to spread,

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Suffering to come to everyone.

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There was lived a boy
who was talented at crossbow.

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He was compassionate to
his old mother and miserable villagers.

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He decided to leave to
confront the Suns' disaster.

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He said goodbye to everyone and set off,

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with a determination to
shoot the Suns like Hậu Nghệ.

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There was a boy
Who was talented at crossbow,

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That every arrow finds its target.

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Because of his love for mother and villagers,

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He was determined to confront Suns' fire.

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He said goodbye to everyone,

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Before leaving to shoot the Suns.

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With the wings his mother had given him,

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He flew up towards the Suns in the sky.

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Only one Sun remained,

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But he was scared and hid.

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No one knows where he is hiding.

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Since then, the people have had to
live in darkness and desolation,

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with only a few lights.

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What should we do, Crossbow Boy?

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The boy immediately stood up,
then raised his crossbow and arrows.

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His eyes were fixed forward,

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as if he wanted to say that:

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I must find the Sun,
no matter how difficult it may be.

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Crossbow Boy, let us follow you!

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He heard the commotion
and turned around, then saw:

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Beard, Elephant, Eagle, Red Horse,

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even a young Rooster.

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Due to hardship,

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Eagle returned to the mountaintop.

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Elephant and Bear returned to
the deep forest.

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Only the exhausted Horse
and the Rooster remained.

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All the boy could do was sigh:

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Oh God, what should I do?

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His cry echoed through the clouds.

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Suddenly, from the dazzling light,

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Fairy Elder appeared.

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Despite all hardships,
if keep going, you'll get there.

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Go high and crow loudly!

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Rooster will call the Sun to come out.

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With no light, everything was dark,

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No torch can replace the solar halo.

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As darkness falls,
Life becomes miserable,

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We must find light for Earth.

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Despite the long distance,
We will overcome it.

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Despite the vast jungle,
We will overcome it.

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Wherever he hides,
We must find him.

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Let the Sun shine on everyone again!

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Let the Sun bring happiness to everyone!

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Where are you?
Come out here!

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It's still dark!
Let be happy!

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The Sun will shine everything.

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Flowers will bloom,
Life is full of laughter.

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The Sun will rejoice,

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All suffering will pass,
Leaving life with light.

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Liberation Film Studio &
Gold Turtle Animation Workshop

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Produced in Saïgon 1993

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<b>THE END</b>
© Animatsiya.net 2025



Bình luận theo đầu phim Little Gray Neck (1948)
1.Cynir

This is a simplified Chinese translation of the story.



Bình luận theo đầu phim Well, Just You Wait! (8) (1974)
2.Cynir

I've long known that many Russians have tried to find information about the Vietnamese version of Well, Just You Wait!. Yes, it is indeed an imitation. However, in this version, all the characters have their own dialogue and fates.

In the early 1990s, Vietnamese society was undergoing economic recovery and also beginning urbanization, something previously considered forbid. Vietnamese animators designed two characters representing what was typical at the time : The Wolf embodying all the vices of a conservative and unmotivated society, while the Hare is merely a weak reaction of the new generation within a still troubled system. The series has only one character at the top, the Crow, who enjoys philosophy. This is essentially the fate of the intellectual class, those who are intelligent but powerless. In the 1990s, this series was often shown for free on the national television to promote reform, but it later lay dormant in archives. It wasn't until 2016 that government funding allowed the series to be made available online.



Bình luận theo đầu phim Hobbit. The Treasure Under the Mountain (1994)
4.Cynir

>>3

I am sorry! I have updated it again. In reality, there are two versions of the video on social media. The version provided by the film studio omitted the ending theme song and replaced it with a modern piece, which detracts from the film's spirit. My video was originally uploaded to Facebook 10 years ago, and it was taken from a film studio's website.

You know, that's the general situation in Vietnamese cinema. For many reasons, film scores or dialogue often disappear, so the videos are usually very bad. That is the reason for the low popularity of Vietnamese cinema and television.




Bình luận theo đầu phim Hobbit. The Treasure Under the Mountain (1994)
3.Admin

>>1
> I suddenly remembered The Gnomes and the Mountain King (Гномы и горный король)
Thanks for the recommendation, I hadn't seen that one yet. Unfortunately, I don't see any existing subtitles for it anywhere (in any language).
Adding obscure things to Wikipedia is tricky and often more trouble than it's worth. The only surefire way is to pore over their notability guidelines and find some unimpeachable source (especially a book or academic article). E.g. a film festival for a particular year I had added once was on the verge of being deleted until I found a mention of it in a scholarly book as being "one of the biggest cultural events" that year in the region (there was no online mention of it, because that part of the world was not very online at the time). Only then did the critics back off.

>>2
Which film are these subtitles for? Is it on YouTube?


Replies: >>4

Bình luận theo đầu phim Christmas Eve (1951)
2.Admin

>>1
Nice comment, Cynir, though that's the first time I've seen Gogol's name spelled Hohol. :) I don't think that's really being done in English yet (not even on Wikipedia). Maybe because he never wrote in Ukrainian. But maybe you're just ahead of the curve. There's some discussion about it on Reddit here.



Bình luận theo đầu phim The Little Angel (2008)
1.Admin

A rare well-drawn paint-on-glass animated film that's NOT directed by Aleksandr Petrov. About a boy who has a pretty terrible life at home and at school (partly through his own fault), who is saved by "the magic of Christmas" (and the tree was still put up at Christmas in Russia at the time that this story was written, not at New Year's). Although a good film (and the director's ONLY film), I do think that on the whole I prefer the original story. The film makes the boy who is the main character a little less nasty (it takes out all the times he bullies the other kids), adds a dream sequence (that ties in with a poem by Vladimir Nabokov that seems like it was made for this story, thought it was really written a few decades later), and plays up the hopefulness and the benefits of religious salvation, leaving out parts of the original story which are rather more ambivalent about the matter. The original story at least implies that the "magic", such as it is, does not last past Christmas, while the film ends on a hopeful note.

This is part of a trickle of animated films with a specifically religious message that have been funded in Russia in recent decades. They aren't especially well-represented on this site yet, but I should probably add some more of the most "notable" examples.



Bình luận theo đầu phim Well, Just You Wait! (8) (1974)
1.Admin

Isn't it a bit strange that I've waited this long to add "Nu, pogodi!" to the site, and started with #8?
Well, this is a classic, beloved holiday-season cartoon, so it's timely.
I can't be neutral about this one; it's part of my childhood. It's quite fun.

Though it also showcases some Russia-specific holiday traditions that can be a bit tricky to describe to others. Like the kids gathering around the big fir tree, Father Frost (like Santa Claus, but originally something like "Old Man Cold" or "King Winter") coming out, and all of them chanting "Sne-gu-roch-ka" ("Snow Maiden") to get his daughter to come out and hand out the presents (her mother is Spring). The Snow Maiden isn't some old folk character, but was really created (for all intents and purposes) only in the late 19th century by Ostrovsky and Rimsky-Korsakov in their opera, about the power of love and the pagan Sun god to melt coldness in springtime. Later adapted into an animated feature in 1952 by Ivanov-Vano.

Odd bit of history there, but it's basically just a fun tradition for kids now.

There are a few reasons the series hasn't been here until now - the films are a bit deceptive in that they mostly have almost no dialogue, but they do have many songs with lyrics that can be tricky to translate (yet often not very important to the film itself). This one is a bit of an exception (along with #15) in that it has a song sung by the main characters very prominently in the middle of the action. I'm lucky that I was able to find a good, rhyming translation of it by Boris Anisimov, which I've edited further.

Also, this series is/was so famous that it seemed like it didn't really matter whether it was here or not. And, the sheer number of episodes was a bit intimidating. I felt like if I was going to add one, I should add all of them at once. Not great reasons, but it is what it is.



Bình luận theo đầu phim There Will Come Soft Rains (1984)
2.Cynir

Hanoi is experiencing very hot days, which is considered unusual for the end of December. You know, the winter in Northern Vietnam is very similar to the melting snow in the Arctic, when the cold seeps into the clothes and makes anyone shiver. However, climate change has made summer longer. Without wind, the combination of air and sunlight creates environmental problems : Dust flying everywhere, the smell of bacteria and garbage. So, this film is truly a frightening warning to all of us !

This is the comic version of the short story : EN & RU.



Bình luận theo đầu phim Merry-Go-Round 7 (1975)
1.Admin

Only two films in this entry, whereas the first 5 Merry-Go-Rounds had had at least 3. Galina Barinova (married to series co-founder Anatoliy Petrov) again played it extremely safe artistically (after being criticized for being too bold in "Mosaic", in Merry-Go-Round #1). The project was likely chosen for her by the script editor (the Party's man at the studio). It's kind of charming but rather average, like most of her films during this period. I think she only became an excellent and artistically bold director about 10 years later in her career. I do wonder who the female voice in the song is, as it's not credited. Is it Barinova herself?

Next is Eduard Nazarov's film, adapting a children's story about a little hippo. It's only his second film, and probably my least favourite film of his career. It spends quite a long time being mopey and sad... which, to be fair, is in the original story, but when one is reading the original story, it goes by much quicker. Maybe the original voice actor (removed by management for his "sighs being too erotic") was better. I don't much like the design of the hippo, either (though Nazarov was quite pleased with how symmetrical he was). Nazarov's films after this would be much, much better, especially his final five. They're all on the site right now, except for his contribution to Merry-Go-Round #9.

I tried to translate the song to rhyme in the first film, but it wasn't always possible. For the second film, I did most of it myself but got stuck on translating the "mayhem" passage ("представляете себе, что бы это был за грохот и топот! И гул и гам! И бам и тарарам! И ужас что такое!"), and ended up using Microsoft Copilot to help (final result: "just imagine what sort of crash and clatter it would be! And roaring and racket! And wham and ker-whallop! And a terrible to-do!").

Overall, this entry (and the one before) were kind of low points in the Merry-Go-Round series up to this point. From its start as artistically-bold mini-films for children by enthusiastic artists at the beginning of their careers, it had become safe and anodyne, with uninspired direction, and scripts and art style made to appeal to management. In the following years, though, I think they began to get more interesting again.



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