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A production of "Soyuzmultfilm"
studio, Moscow, 1952

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KASHTANKA

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screenplay by
Boris Brodskiy and Mihail Papava
basen on Anton Chekhov's story

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director Mihail Tsehanovskiy
art directors Aleksandr Belyakov,
Leonid Aristov

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composer Yuriy Levitin
background designs Konstantin Yuon

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camera Mihail Druyan
assistant camera Yekaterina Rizo

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sound Nikolay Prilutskiy
montage Lidiya Kyaksht

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assistant director Vera Tsehanovskaya
assistant art directors
A. Sementsov-Ogiyevskiy, A. Durakov

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technical assistant
Natalya Orlova

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animators Fyodoy Hitruk, Valentin Lalayants,
Boris Chani, Renata Mirenkova, L. Popov,

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Tatyana Taranovich, Roman Davydov,
Nikolay Fyodorov, Vyacheslav Kotyonochkin,

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Mihail Botov, Boris Butakov,
Konstantin Chikin

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background art Olga Gemmerling, Yelena
Tannenberg, Irina Troyanova, Vera Rodzhero

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voices:  Aleksey Gribov (Monsieur George),
Boris Chirkov (carpenter),
V. Feoktistov (Fedyushka),

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Yuriy Hrzhanovskiy (Kashtanka),
Vladimir Grikov (narrator)

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"How through the grass the hunter

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walks about all day..."

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Fedyushka! Bring me some glue!

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Kashtanka!

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Father, look!

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We're playing wheelbarrow!

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Leave the dog alone!

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And then the coachman rings.
"Dong! Dong! Dong!"

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Ring it louder, louder!

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Oh!

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Fedyushka, stop, I said!

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Well, learned your lesson?

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Fedyushka, you behave
while I'm away!

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Kashtanka!

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Get out!

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Kashtanka!

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Kashtanka!

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Where did you wander off to,
damned dog?

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Keep close!

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Luka Aleksandrovich's customers
lived a very long way off,

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so that, before he could get
to any one of them, 

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the carpenter had several times
to step into a pub

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to... fortify himself!

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After visiting his customers,
Luka Aleksandrovich

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went to his sister's for a while,
where he ate and drank some more.

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After that, he went to see
a bookbinder he knew,

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from the bookbinder to another pub,

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from the pub to another friend's,
and so on.

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You, Kashtanka, are an insect...

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of... of a cr... creature...

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And nothing more...

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To compare you to a human
is the same thing

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as comparing a carpenter
to a joiner!

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Kashtanka could not endure the music!

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It unhinged her nerves.

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To her surprise, her master, instead
of being frightened, whining and barking,

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drew himself up to attention,
and saluted with all his five fingers.

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Seeing that her master did not protest,

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Kashtanka forgot herself and dashed
across the road to the opposite pavement.

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When it was quite dark,

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Kashtanka was overcome
by despair and horror.

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The long day's journeying with
Luka Aleksandrich had exhausted her,

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her ears and her paws were freezing,

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and, what was more,
she was terribly hungry.

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During the day,
she had eaten only twice:

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When they were at the bookbinder's,
she had eaten a little paste,

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and in one of the pubs, near the
counter, she had found a sausage skin.

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That had been all.

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A dog!

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Where did you come from?

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Did I hurt you?

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Oh, you poor girl.

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Well, don't be angry.
I admit it was my fault.

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What are you whining for?
Where is your master, eh?

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You must be lost! Oh, you poor dog!

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What shall we do now?

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My, are you pretty!

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And funny, too. Almost like a fox!

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Well...

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There's nothing for it, come with me.

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Perhaps you will be of use for something.

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Not more than half an hour later,

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Kashtanka sat on the floor
in a large and bright room.

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Seems to me, your masters
don't feed you well.

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And how thin you are!

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Skin... and bones!

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Hey, doggy! Come here!

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Lie down here. Sleep.

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Kashtanka was left on her own.

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Suddenly, she was overcome
with melancholy.

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She thought of Luka Aleksandrovich

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and his son Fedyushka...

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Kashtanka!

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Kashtanka!

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Kashtanka!

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When Kashtanka woke up again
it was already light

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and from the street came the noises
that only belonged to daytime.

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There was not a soul in the room.

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On the bed, covered with a flannel
blanket, slept the stranger.

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She discovered that the boots and
clothes of the stranger

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smelled very much... of horse.

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Kashtanka felt a strange,
very suspicious smell...

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What is all this?!

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What's the meaning of this?
To your places!

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Fyodor Timofeyevich, what's
the meaning of this, eh?

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Starting a fight? Oh, you old rascal!

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Lie down!

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Ivan Ivanovich, go to your place.

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Well, well...

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We must live together
in peace and harmony.

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And you, redhair, don't be frightened.
It's a good crowd. They will not hurt you.

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Hold on...
What are we going to call you?

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We must come up with a name for you.

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I tell you what...
you shall be... Auntie!

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Do you understand?

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Auntie!

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Little Auntie!

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Auntie!

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Auntie! Lie down.

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Kashtanka began to observe.

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The cat was pretending to be asleep.

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Judging by the look on
his face and whiskers,

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he was himself sorry that he'd gotten
overexcited and entered a fight.

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The goose went on saying something
rapidly and excitedly,

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but quite unintelligibly!

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Obviously, it was a very clever goose!

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Ivan Ivanovich, may I ask you
to come here?

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Well, let's start from the beginning.

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First of all, bow!

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That's right. Now make a curtsey.

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Ivan Ivanovich! Curtsey!

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Quickly!

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Good...

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Yes, well done...

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Now... die!

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Die...

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Good.

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Help! Fire! We're burning!

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Help, help!

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Well done!
Good for you, Ivan Ivanovich!

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Now imagine that you are a jeweller
selling gold and diamonds!

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Imagine now that you go to your shop
and find thieves there.

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What would you do in that case?

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Good for you, Ivan Ivanovich!
Bravo, bravo!

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Auntie! To your place! Be quiet!

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Marya!

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Marya!

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Fetch Havronya Ivanovna here!

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Come, come, Havronya Ivanovna,
do some work!

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Come, let us begin with
the Egyptian pyramid!

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Ivan Ivanovich, come closer...

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Right, even closer...
Right, now sit down.

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Right, hop! Hold on, hold on!
Hold on tight! Right.

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Auntie, keep quiet!

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Fyodor Timofeyevich, if you please!

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Attention!

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One, two, three!

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Quick, quick! Hop!
Right, well done!

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Right, well done.

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Respected public!

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You see before you
the Egyptian pyramid!

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Do not sleep, Fyodor!

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Hey, hey, hey... Auntie...
Back, back! Quit barking, quiet!

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Damn, what did you...
what were you thinking...

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A month passed.

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Kashtanka had already become accustomed
to being well-fed and being called Auntie.

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She had grown accustomed to
the stranger and her new room-mates.

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Her life now ran as smooth as butter.

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In the evenings, the master
usually went somewhere

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[CIRCUS]
and took the goose and the cat with him.

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When she was alone,
Auntie would begin to feel sad.

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But, when one thinks about eating
one's heart grows lighter!

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Thus, Auntie began to think
about that morning,

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when she had stolen a chicken leg
from Fyodor Timofeyevich

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and had hidden it in the drawing-room,

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between the cupboard and the wall,

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where there were a great many spiders'
webs and a great deal of dust.

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It wouldn't hurt to go now and check

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whether the chicken leg
was still there, or not...

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It was very possible that the master
had found it and eaten it.

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[CIRCUS]

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Auntie had a doggy dream in which she was
chased by a street-sweeper with a broom.

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Auntie had never been afraid of darkness,

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but now, for some reason,
she was afraid and wanted to bark.

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Why are you screaming? Are you ill?

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Oh, I remember now...

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I know what bothers you...

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It's because today
the horse stepped on you.

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My God, my God!

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What are we to do?

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What should we do?

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Ah, my God! What are we to do?

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Drink, Ivan Ivanovich...

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Drink, darling... no...

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There is nothing to be done now.

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It's all over, Auntie.

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Our Ivan Ivanovich is gone...

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Gone...

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Auntie and the cat could not stand
to be left in the dark,

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so they followed their master.

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Poor Ivan Ivanovich...

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And I was dreaming I would take you
in the spring to the cottage...

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and would walk with you
on the green grass...

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My dear creature!
Me good comrade!

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You are no more.

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How shall I do without you now?

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And shining drops trickled
down his cheeks,

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such as one sees on the
window-pane when it rains.

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When dawn had fully come,

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Auntie went into the drawing-room
and looked behind the cupboard.

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The master had not eaten the chicken leg.

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It was lying in its place
among the dust and spiders' webs

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Yet Auntie felt dreary,

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sad and wanted to cry.

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She did not even sniff the chicken leg.

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Was that you?

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00:18:07,470 --> 00:18:11,390
Talent! You have talent!

213
00:18:11,490 --> 00:18:14,340
You're undoubtedly talented!

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I will make you an artist!

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Do you understand? An artist!

216
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You want to be an artist, right?

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You're definitely going
to be a success!

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Little Auntie, maybe you could even
replace our deceased Ivan Ivanovich.

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And he began to teach her
various things.

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Talent! Undoubted talent!

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00:18:56,950 --> 00:19:01,360
Come on, come on! Now, now, hup!
Right, right, right, well done!

222
00:19:01,460 --> 00:19:03,320
Move those paws, move those paws...

223
00:19:03,420 --> 00:19:06,510
What now, what went wrong?
Why'd you get all confused? Try again!

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Come here, come on...

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00:19:07,712 --> 00:19:09,212
Come on, come on,
come on, come on...

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Now, now, now, hup! Right, right, right,
good, good!

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One wonderful evening, the master
came into the room....

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Well...

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Today I shall take with me
Auntie and Fyodor Timofeyevich.

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In the "Egyptian pyramid", you, Auntie,

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will take the place of the late
Ivan Ivanovich today.

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God knows how it will go...

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Nothing's ready, nor thoroughly
practiced.

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Too few rehearsals.
Auntie, let's go!

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A minute later, Auntie was sitting
in a sleigh next to her master.

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The sleigh stopped at a
big, strange-looking house

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that was shaped like
an upside down tureen.

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There were many people.

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Horses, too, would often run up
to the entrance.

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But no dogs... were to be seen.

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00:20:18,550 --> 00:20:25,270
Auntie saw a huge, poorly-lit room
full of monsters.

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00:20:25,390 --> 00:20:31,110
From behind screens and gratings
scary faces looked out at her:

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00:20:31,190 --> 00:20:35,350
faces of horses with horns,
with long ears...

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00:20:35,450 --> 00:20:42,340
and one fat, huge countenance
with a tail instead of a nose,

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and two long gnawed bones
sticking out of its mouth!

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00:22:19,990 --> 00:22:24,140
Miss Arabella has just gone on.
After her - you!

247
00:22:27,580 --> 00:22:32,570
Auntie's felt her eyes and soul
fill with colour.

248
00:22:32,680 --> 00:22:36,390
That white-faced, sack-like figure
smelled like her master,

249
00:22:36,520 --> 00:22:39,760
and its voice, too, was
the familiar master's voice,

250
00:22:39,890 --> 00:22:43,760
but there were moments when
Auntie was tortured by doubts,

251
00:22:43,960 --> 00:22:48,520
and then she was ready to run away from
the parti-coloured figure and to bark!

252
00:22:48,630 --> 00:22:53,060
We'll be disgraced!
It'll all fall apart!

253
00:23:00,090 --> 00:23:03,330
And here I am! And here I am!

254
00:23:03,540 --> 00:23:04,970
Auntie!

255
00:23:05,180 --> 00:23:06,590
Don't be afraid, it's me!

256
00:23:12,290 --> 00:23:14,870
You do not recognize me, huh?

257
00:23:14,971 --> 00:23:16,771
No? Come on!

258
00:23:16,920 --> 00:23:20,820
Why are you whining?
Why are you whining?

259
00:23:20,910 --> 00:23:24,710
Oh, Auntie!

260
00:23:54,650 --> 00:24:00,230
Judging by his lips and hands, it was
evident that the master was worried,

261
00:24:00,360 --> 00:24:04,460
and Auntie could hear
a trembling in his breath.

262
00:24:08,180 --> 00:24:10,630
Come on, Auntie!

263
00:24:16,690 --> 00:24:19,130
Monsieur George, please come!

264
00:24:25,530 --> 00:24:27,780
And here I am!

265
00:24:27,850 --> 00:24:32,640
And here I am! And here I am!
And here I am!

266
00:24:36,470 --> 00:24:38,800
My esteemed audience!

267
00:24:40,510 --> 00:24:43,860
I have only just come from the station!

268
00:24:52,960 --> 00:24:56,930
My grandmother has died!

269
00:25:00,560 --> 00:25:03,300
And she left me an inheritance.

270
00:25:04,340 --> 00:25:05,370
Here it is!

271
00:25:10,060 --> 00:25:14,740
Wow, in the suitcase there's
something very... heavy!

272
00:25:14,840 --> 00:25:17,500
It must be gold!

273
00:25:18,920 --> 00:25:22,730
Perhaps there's a million in here?

274
00:25:23,820 --> 00:25:27,590
We'll open it and look!

275
00:25:32,810 --> 00:25:38,310
Uncle! Fyodor Timofeyevich!

276
00:25:38,990 --> 00:25:42,970
Auntie! My dear auntie!
My dear relatives!

277
00:25:48,900 --> 00:25:49,900
Well...

278
00:25:50,070 --> 00:25:53,300
Auntie, you sit still,

279
00:25:53,410 --> 00:26:00,100
In the meantime, uncle and I
will dance the Kamarinskaya!

280
00:26:32,170 --> 00:26:34,250
Well, Auntie...

281
00:26:34,690 --> 00:26:42,170
At first, we'll sing, and then
we will dance. OK?

282
00:27:03,270 --> 00:27:04,680
Daddy!

283
00:27:05,320 --> 00:27:08,460
Daddy! It's Kashtanka!

284
00:27:11,050 --> 00:27:12,860
That really is Kashtanka!

285
00:27:13,180 --> 00:27:14,950
Kashtanka!

286
00:27:15,110 --> 00:27:17,790
Fedyushka, it's Kashtanka, for sure!

287
00:27:17,890 --> 00:27:21,910
Kashtanka! Kashtanka!

288
00:27:22,160 --> 00:27:23,530
Kashtanka!

289
00:27:26,890 --> 00:27:28,730
Auntie! Where are you going?
Where are you going?

290
00:27:36,000 --> 00:27:37,050
Auntie!

291
00:27:39,970 --> 00:27:43,160
- Little Auntie!
- Kashtanka!

292
00:27:59,240 --> 00:28:00,380
Auntie!

293
00:28:00,770 --> 00:28:02,440
Little Auntie, come back!

294
00:28:03,850 --> 00:28:04,850
Kashtanka!

295
00:28:12,510 --> 00:28:14,670
Kashtanka! It's really her!

296
00:29:19,700 --> 00:29:21,580
Half an hour later, 

297
00:29:21,881 --> 00:29:24,881
Kashtanka was walking along
the street behind the people

298
00:29:24,982 --> 00:29:28,182
who smelt of glue and varnish.

299
00:29:28,280 --> 00:29:29,690
Kashtanka!

300
00:29:35,490 --> 00:29:40,210
You Kashtanka, you are a thing
of little understanding...

301
00:29:40,340 --> 00:29:42,680
comparing you to a human

302
00:29:42,781 --> 00:29:47,981
is the same as comparing
a carpenter to a joiner!

303
00:29:48,880 --> 00:29:53,830
Next to Luka Aleksandrovich walked
Fedyushka, wearing his father's cap.

304
00:29:54,830 --> 00:29:57,970
Kashtanka looked at their backs,

305
00:29:58,660 --> 00:30:02,260
and it seemed to her that she'd already
been following them for a long time.

306
00:30:02,650 --> 00:30:08,310
And she was glad that her life hadn't
been interrupted for even a minute.

307
00:30:12,020 --> 00:30:14,650
The End

308
00:30:14,801 --> 00:30:17,492
subs - Zhurka75, Eus, Niffiwan (Jan 2024)
partly using Constance Garnett's translation